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《白。素。貞》從一個愛情故事中尋找東方與西方看待女性的異同之處，重新找到一個女性在婚姻、愛情及家庭中個人的價值；同時該作品較具機動性，可彈性的在不同空間行走，利用既有的展演空間，帶著觀眾邊走邊看戲，體驗不同的看戲經驗。 Miss White endures and waits. Not until four betrays when she finally realizes that she has lost herself in love. 2014｜The Courtyard Theatre Sympathetic plan -- white, plain, virgin Miss White In the traditional Chinese folk tale "The Legend of the White Snake", Bai Suzhen is a powerful snake demon, but she falls in love with the human man Xu Xuan. She transformed into a human figure and married Xu Xuan to manage the family business for him, and gave birth to a child for him. But when Xu Xuan found out the true identity of the snake demon, he betrayed his wife, scolded her loudly as a monster, and colluded with the mage to come to exorcise the white snake and suppress the white snake under the tower; Bai Suzhen silently endured and waited until she experienced After four betrayals, I realized that I had already lost myself in love. "White. white. Zhen" looks for the similarities and differences between Eastern and Western views on women from a love story, and rediscovers a woman's personal value in marriage, love and family. In the existing performance space, the audience can walk and watch the play and experience a different experience of watching the play. Chinese folk legend shares a similar idea of "Yokai" in Japanese legend, where these creatures are spirits transformed from animals or plants, usually primitive, ugly and weird. In one of the most known Chinese folk legend, "Legend of the White Snake" , Miss White is a Yokai transformed from a snake, but fall in love with a human Xu Xian. She turns into human form to marry him, and gives birth to his child. Xu Xian, however, after realizing her true identity, betrays her . In addition, he colludes a monk, who eventually sealed Miss White under a Pagoda. During the process, Miss White endures and waits. Not until four betrays when she finally realizes that she has lost herself in love. Li Chengye Commentator One after another, audience members wearing bras followed the actors to the performance space on the fourth floor. In a scene full of bras, Bai Suzhen was in pain all her life, and through the years and the red bits of sanitary napkins, she told the audience the helplessness and pain of the female part. Yang Meiying Commentator It is full of sensuality and desire (sexual desire/life desire), which are related and different. Formally, the space of the entire building is fully utilized, and the consciousness of lust and desire is flowed through different creative strategies.

Home About Wan Program Visit Venue Our Team History International Development TEAM MEMBERS 成員介紹 葉育伶 Nina YEH Executive Director 曉劇場行政總監 Member of Shinehouse Theatre. Bachelor of Journalism, National Chengchi University. Yeh has been the administration officer for Shinehouse Theatre since 2009, involving its recent productions as well as arts promotion in the community. Her recent participations include Shinehouse Theatre’s “Yugoku”” , “LA Marie Vision”, ”The Whisper of the Waves, Miyabe Miyuki’s “In Between” and the producer of Want to Dance Festival. Back More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Wan Theatre

Team Members 成員介紹 李孟融 Zeke LEE Chief Operating Officer 萬座曉劇場營運總監 Founding members of Shinehouse Theatre. With the passion in performing arts, Lee has devoted into theatre for over a decade, with experience in Performing Arts Alliance as Secretary General, NGO, Department of Cultural Affairs, The National Taichung Theater, Taiwan Film and Audiovisual Institute, event company, performing arts group and many others, accumulated rich experiences in administration and production. He has also recently devoted into theatre education, public relationship, promotion, fund raising and many other aspects in arts industry. Back

Latest latest news Artists About Us Open Call officially started From now until 4/30 Hand Knife Registration ​ Please send to: shinehousetheatre02@gmail.com within the deadline 2022 Xiao Theater Art Village Brochure registration form Art Village Project The Xiao Theater Art Village Project is hosted by the Xiao Theater Team (hereinafter referred to as the organizer). The organizer has long promoted the local art and culture of Taipei Mengka, continued to develop local resources and space, and actively promoted international connections and local exchanges. In order to support the development of artist-in-residence creations, the "Xiao Theater Art Village - Artists-in-Residence Project" is planned this year, providing rehearsal space and accommodation space for resident artists at home and abroad as a creative base, and at the same time assisting artists to invest in local research, creation and cultural exchanges. Support the development of performing arts creation. More About Us Shinehouse Theatre Want To Dance Festival ​The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

Members ​成員介紹 ​曾珮 As a chief performer, current rehearsal instructor and education promotion lecturer, Tzeng has participated more than 30 productions with the Shinehouse Theatre. During 2015-16, she participated the Asian Performing Arts Forum, performed in "Purgatory", a Taiwan-Japan co-production project, as a representative of Taiwanese actors. Her recent performances with Shinehouse Theatre include "Armageddon Trilogy", "A Midsummer Night's Chat Series", "Fish" in the Taiwan Season of Edinburgh Fringe, and annual works "Yugoku”, "The Whisper of the Waves", "In Between" and others. Back

Members ​成員介紹 ​李廷羿 Back Member, international affairs contact person and actor of Shinehouse Theatre. His recent performances with Shinehouse Theatre includes annual work "Yugoku", ” La Marie Vision", "The Whisper of the Waves”, and “Fish" in the Taiwan Season of Edinburgh Fringe as the main performer. Since 2018, he joined the butoh training in Shinehouse Theatre and took part in the co-production from Shinehouse Theatre and Agaxart "A Perfect Day" which presented in 2022 Want to Dance Festival.

ZH EN Home About Wan Program Visit Venue Our Team History International Development Members ​曾珮 曉劇場駐團演員 現任曉劇場排練指導、教育推廣講師。 參與曉劇場多部演出製作，至今已累積超過三十部作品，2015-2016年隨曉劇場參與亞洲表演藝術論壇，作為台灣演員代表參與「《焦土》臺日共製計畫。近年參與曉劇場重要作品包括：「穢土天堂系列作品」、「夏日微涼夜話系列」、愛丁堡藝穗節臺灣季《魚》等。曾參與年度作品《毛皮瑪莉》、《潮來之音》及宮部美幸怪談《之間》等。 ​成員介紹 Back More About Us Shinehouse Theatre Want To Dance Festival ​The Shinehouse Theatre Arts Village Wan Theatre

ZH EN Home About Wan Program Visit Venue Our Team History International Development Members ​李廷羿 Back Member, international affairs contact person and actor of Shinehouse Theatre. His recent performances with Shinehouse Theatre includes annual work "Yugoku", ” La Marie Vision", "The Whisper of the Waves”, and “Fish" in the Taiwan Season of Edinburgh Fringe as the main performer. Since 2018, he joined the butoh training in Shinehouse Theatre and took part in the co-production from Shinehouse Theatre and Agaxart "A Perfect Day" which presented in 2022 Want to Dance Festival. ​成員介紹 More About Us Shinehouse Theatre Want To Dance Festival ​The Shinehouse Theatre Arts Village Wan Theatre

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ZH EN Home About Wan Visit Venue Our Team History Program International Development 萬座曉劇場開幕演出系列《電子城市》 德國當代劇作家福克．李希特 新文本代表作 曉劇場藝術總監 鍾伯淵主演 ​ 電子城市＝一位演員（由鍾伯淵扮演）演出遊走各大城市的商務人士Tom（由鍾伯淵扮演）＋機場連鎖速食店的收銀小姐Joy（由鍾伯淵扮演）＋紀錄片導演（由鍾伯淵扮演）＋一群A片女優（由鍾伯淵扮演）＋一群即將失控的商務人士（由鍾伯淵扮演）＋戰爭的迫害者（由鍾伯淵扮演）＋壓迫者（由鍾伯淵扮演）＝一群孤獨的靈魂；誰是你我他他她她它它被困在劇本無止境的演繹，還能從劇本逃脫嗎？ ​ 2003年到2022年，近20年的時間，福克．李希特(Falk Richter)筆下《電子城市》全球化與科技影響的當代狀態仍持續在膨脹擴大，並隨著疫情的爆發，將人與人之間的距離更是推向極端靠近又疏遠。 而你，找到那個他了嗎？ ​ ​ ​演出時間 05.27（五）19:30 05.28（六）14:30 05.29（日）14:30 ​ 劇本原著：福克．李希特（Falk Richter） 原著中文翻譯：鴻鴻、王品翔 導演/演員：鍾伯淵︱ 製作顧問：李孟融︱製作人：葉育伶︱排練執行：曾珮︱導演助理：李廷羿︱音樂設計：陳明儀︱燈光設計：林翰生︱服裝設計：李逸塵︱影像設計：蔡東翰︱肢體設計：劉靄淇︱平面設計：劉玉璐︱平面攝影：林政億︱影像紀錄：何孟學 節目連結 More About Us Shinehouse Theatre Want To Dance Festival ​The Shinehouse Theatre Arts Village Wan Theatre

ZH EN Home About Wan Visit Venue Our Team History Program International Development 宮部美幸怪談系列 《之間》 2021年觀眾敲碗 好評重演 萬座曉劇場開幕系列演出 改編宮部美幸 三島屋奇異百物語系列作品 ​ 日本作家宮部美幸(Miyabe Miyuki)作品首次授權在台演出，改編〈哭泣童子〉、〈和尚的壺〉兩篇故事。在最壞時節，人心之善迎來和煦暖陽與希望曙 光，歡慶時節也可能遭逢狂風驟雨和絕望顫慄；宮部美幸以細膩文字勾勒江戶百景，一則則故事將穿越時空、地境，讓我們危難中、幸福裡找到生存的力量。 ​ 〈哭泣童子〉是在霜月祈求生意興隆、祭拜大黑天的「老鼠祭」中遭遇不請自來的說故事者甚兵衛的請託，聽取怵懾人心的恐怖自白。〈和尚的壺〉是一幅帶有防疫驅邪的捲軸，在疫情蔓延之際，善心的木材批發商跟隨冥冥中聖僧指示以防治疫情，得以挺過數次瘟疫、霍亂的風浪。 ​演出時間 06.10（五）19:30 06.11（六）14:30、19:30 06.12（日）14:30 原著：宮部美幸 劇本改編/導演：鍾伯淵 演員：曾珮、廖治強、鄭詠元、陳家誼、李廷羿、謝承瑜、郭懿翧 製作人：葉育伶︱舞台監督：陳立婷︱服裝設計：小峯三奈︱服裝重製：李逸塵︱音樂設計：陳明儀︱音響技術：劉譽杰︱燈光設計：戴寀如︱舞台設計：鍾宜芳︱平面設計：劉玉璐︱平面攝影：林政億︱演出攝影：何孟學 節目連結 More About Us Shinehouse Theatre Want To Dance Festival ​The Shinehouse Theatre Arts Village Wan Theatre