「穢土天堂系列」描寫地上與地下世界強勢族群對於弱勢族群的文化侵略。透過一個現代進步的地上世界，對比原始落後的地下世界，從家園迫遷、文化侵略議題，延伸討論戰爭中的善惡。 The production series of「Armageddon」is the strong, representative work of Shinehouse Theatre, which depicts the cultural aggression against a disadvantaged underground world by a strongly ethnic aboveground one. Dirty Paradise Armageddon 2011｜fruit wine warehouse in Huashan Cultural and Creative Park ☆Nominated for Taipei Digital Technology Art Award This trilogy is based on the idea of the German Hitler regime and Nazi concentration camps during the Second World War; the play describes the underground society that heard that the underground contains a lot of natural resources and began to develop the underground, and discovered the underground that had sneaked into the ground after being defeated a long time ago. The human race carried out massacres in order to successfully obtain underground resources; and through three demonstrations of using underground women to teach social etiquette, culture and language as propaganda, to eliminate and cover up the massacre of the underground society by the government and to create an illusion of harmony. The prototypes of the three underground women in "Paradise of Dirty Earth" come from the three sisters of Chekov, who are entangled with yearning and memories of their hometown. The whole play is centered on changes such as slow massacres. The underground women face the cultural edification and display of the above-ground society, which weakens the uniqueness of the underground women's original society and the public's attention, and eventually leads the society to lose interest and die. The three underground women were sent back underground again. As the last survivors of the underground society, facing the already dilapidated underground world, they could only hum a song and disappear into the ruins. The production series of "Armageddon" is the strong, representative work of Shinehouse Theatre director, Po-Yuan Chung, which depicts the cultural aggression against a disadvantaged underground world by a strongly ethnic aboveground world. Through a modern and progressive world aboveground, contrasting with a primitive and underdeveloped world underground, being forced from their homes, and the issue of cultural invasion, extending to the discussion of good and evil in war. “Armageddon”, the first piece of the trilogy, three bareheaded Underground Woman open the show. The piece describes how the normal people discovered the underground world; how they invaded, massacred, plundered the ground; and how they used these three women to erase opposing public opinion through media. There was, however, limited resource only in the underground, and the invasion was highly criticized by the society, which eventually made the three women be sent back to the already destroyed underground. Yu Shanlu drama critic Choreographer Zhong Boyuan de-time-spaces the entire story and characters, but he seems to be able to feel the shadows of the Nazis, massacres and concentration camps, and even the more general relationship between oppression and oppression, civilization and destruction. Or today, there is no shortage of examples. underground woman 曉劇場_穢土天堂三部曲《阿道夫》(3mins) Play Video All Videos

Team Members 成員介紹 Artist Director 曉劇場暨萬座曉劇場藝術總監 艋舺國際舞蹈節策展人。 Back 鍾伯淵 CHUNG, Po-Yuan 曉劇場暨萬座曉劇場藝術總監及艋舺國際舞蹈節策展人。 擅從劇場詮釋文學之美，亦紀錄城市改變發表系列作品，並出版《穢土天堂》、《地下女子》等劇本集。具備豐富編導演經驗，亦曾參與廣告、電視和電影的演出。曾受邀至泰國曼谷劇場藝術節、上海國際當代戲劇季、臺北藝術節、東京藝術節、台南藝術節、桃園鐵玫瑰藝術節等。《魚》、《潮來之音》分別獲選為2019年及2022年愛丁堡藝穗節台灣季演出作品。2020年執行策劃並擔任鈕扣計畫10週年製作人、舞躍大地舞蹈創作比賽計畫主持人。 Chung Po-Yuan graduate d from the Department of Drama of National Taipei University of the Arts, majoring in directing. He established Shinehouse Theatre in 2006. His works focus on human nature and contemporary social issues, accumulating a repertoire of more than 30 productions to date and has published script collections of "Armageddon" and "Underground Women." He has been invited to Thailand Bangkok Theater Festival, Shanghai International Contemporary Theater Festival, Taipei Art Festival, Tokyo Art Festival. At the same time planning and producing the 10th anniversary of the 2020 New Choreographer project (Meimage Dance), and the principal of 2020 Taiwan Creative Dance Competition. He is currently the curator of Want to Dance Festival, and the director of Wan Theater.

Team Members 成員介紹 李孟融 Zeke LEE Chief Operating Officer 萬座曉劇場營運總監 Founding members of Shinehouse Theatre. With the passion in performing arts, Lee has devoted into theatre for over a decade, with experience in Performing Arts Alliance as Secretary General, NGO, Department of Cultural Affairs, The National Taichung Theater, Taiwan Film and Audiovisual Institute, event company, performing arts group and many others, accumulated rich experiences in administration and production. He has also recently devoted into theatre education, public relationship, promotion, fund raising and many other aspects in arts industry. Back

Latest latest news Artists About Us Open Call officially started From now until 4/30 Hand Knife Registration ​ Please send to: shinehousetheatre02@gmail.com within the deadline 2022 Xiao Theater Art Village Brochure registration form Art Village Project The Xiao Theater Art Village Project is hosted by the Xiao Theater Team (hereinafter referred to as the organizer). The organizer has long promoted the local art and culture of Taipei Mengka, continued to develop local resources and space, and actively promoted international connections and local exchanges. In order to support the development of artist-in-residence creations, the "Xiao Theater Art Village - Artists-in-Residence Project" is planned this year, providing rehearsal space and accommodation space for resident artists at home and abroad as a creative base, and at the same time assisting artists to invest in local research, creation and cultural exchanges. Support the development of performing arts creation. More About Us Shinehouse Theatre Want To Dance Festival ​The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

Members ​成員介紹 ​曾珮 As a chief performer, current rehearsal instructor and education promotion lecturer, Tzeng has participated more than 30 productions with the Shinehouse Theatre. During 2015-16, she participated the Asian Performing Arts Forum, performed in "Purgatory", a Taiwan-Japan co-production project, as a representative of Taiwanese actors. Her recent performances with Shinehouse Theatre include "Armageddon Trilogy", "A Midsummer Night's Chat Series", "Fish" in the Taiwan Season of Edinburgh Fringe, and annual works "Yugoku”, "The Whisper of the Waves", "In Between" and others. Back

Members ​成員介紹 ​李廷羿 Back Member, international affairs contact person and actor of Shinehouse Theatre. His recent performances with Shinehouse Theatre includes annual work "Yugoku", ” La Marie Vision", "The Whisper of the Waves”, and “Fish" in the Taiwan Season of Edinburgh Fringe as the main performer. Since 2018, he joined the butoh training in Shinehouse Theatre and took part in the co-production from Shinehouse Theatre and Agaxart "A Perfect Day" which presented in 2022 Want to Dance Festival.

ZH EN Home About Wan Program Visit Venue Our Team History International Development Members ​曾珮 曉劇場駐團演員 現任曉劇場排練指導、教育推廣講師。 參與曉劇場多部演出製作，至今已累積超過三十部作品，2015-2016年隨曉劇場參與亞洲表演藝術論壇，作為台灣演員代表參與「《焦土》臺日共製計畫。近年參與曉劇場重要作品包括：「穢土天堂系列作品」、「夏日微涼夜話系列」、愛丁堡藝穗節臺灣季《魚》等。曾參與年度作品《毛皮瑪莉》、《潮來之音》及宮部美幸怪談《之間》等。 ​成員介紹 Back More About Us Shinehouse Theatre Want To Dance Festival ​The Shinehouse Theatre Arts Village Wan Theatre

ZH EN Home About Wan Program Visit Venue Our Team History International Development Members ​李廷羿 Back Member, international affairs contact person and actor of Shinehouse Theatre. His recent performances with Shinehouse Theatre includes annual work "Yugoku", ” La Marie Vision", "The Whisper of the Waves”, and “Fish" in the Taiwan Season of Edinburgh Fringe as the main performer. Since 2018, he joined the butoh training in Shinehouse Theatre and took part in the co-production from Shinehouse Theatre and Agaxart "A Perfect Day" which presented in 2022 Want to Dance Festival. ​成員介紹 More About Us Shinehouse Theatre Want To Dance Festival ​The Shinehouse Theatre Arts Village Wan Theatre

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ZH EN Home About Wan Visit Venue Our Team History Program International Development 萬座曉劇場開幕演出系列《電子城市》 德國當代劇作家福克．李希特 新文本代表作 曉劇場藝術總監 鍾伯淵主演 ​ 電子城市＝一位演員（由鍾伯淵扮演）演出遊走各大城市的商務人士Tom（由鍾伯淵扮演）＋機場連鎖速食店的收銀小姐Joy（由鍾伯淵扮演）＋紀錄片導演（由鍾伯淵扮演）＋一群A片女優（由鍾伯淵扮演）＋一群即將失控的商務人士（由鍾伯淵扮演）＋戰爭的迫害者（由鍾伯淵扮演）＋壓迫者（由鍾伯淵扮演）＝一群孤獨的靈魂；誰是你我他他她她它它被困在劇本無止境的演繹，還能從劇本逃脫嗎？ ​ 2003年到2022年，近20年的時間，福克．李希特(Falk Richter)筆下《電子城市》全球化與科技影響的當代狀態仍持續在膨脹擴大，並隨著疫情的爆發，將人與人之間的距離更是推向極端靠近又疏遠。 而你，找到那個他了嗎？ ​ ​ ​演出時間 05.27（五）19:30 05.28（六）14:30 05.29（日）14:30 ​ 劇本原著：福克．李希特（Falk Richter） 原著中文翻譯：鴻鴻、王品翔 導演/演員：鍾伯淵︱ 製作顧問：李孟融︱製作人：葉育伶︱排練執行：曾珮︱導演助理：李廷羿︱音樂設計：陳明儀︱燈光設計：林翰生︱服裝設計：李逸塵︱影像設計：蔡東翰︱肢體設計：劉靄淇︱平面設計：劉玉璐︱平面攝影：林政億︱影像紀錄：何孟學 節目連結 More About Us Shinehouse Theatre Want To Dance Festival ​The Shinehouse Theatre Arts Village Wan Theatre

ZH EN Home About Wan Visit Venue Our Team History Program International Development 宮部美幸怪談系列 《之間》 2021年觀眾敲碗 好評重演 萬座曉劇場開幕系列演出 改編宮部美幸 三島屋奇異百物語系列作品 ​ 日本作家宮部美幸(Miyabe Miyuki)作品首次授權在台演出，改編〈哭泣童子〉、〈和尚的壺〉兩篇故事。在最壞時節，人心之善迎來和煦暖陽與希望曙 光，歡慶時節也可能遭逢狂風驟雨和絕望顫慄；宮部美幸以細膩文字勾勒江戶百景，一則則故事將穿越時空、地境，讓我們危難中、幸福裡找到生存的力量。 ​ 〈哭泣童子〉是在霜月祈求生意興隆、祭拜大黑天的「老鼠祭」中遭遇不請自來的說故事者甚兵衛的請託，聽取怵懾人心的恐怖自白。〈和尚的壺〉是一幅帶有防疫驅邪的捲軸，在疫情蔓延之際，善心的木材批發商跟隨冥冥中聖僧指示以防治疫情，得以挺過數次瘟疫、霍亂的風浪。 ​演出時間 06.10（五）19:30 06.11（六）14:30、19:30 06.12（日）14:30 原著：宮部美幸 劇本改編/導演：鍾伯淵 演員：曾珮、廖治強、鄭詠元、陳家誼、李廷羿、謝承瑜、郭懿翧 製作人：葉育伶︱舞台監督：陳立婷︱服裝設計：小峯三奈︱服裝重製：李逸塵︱音樂設計：陳明儀︱音響技術：劉譽杰︱燈光設計：戴寀如︱舞台設計：鍾宜芳︱平面設計：劉玉璐︱平面攝影：林政億︱演出攝影：何孟學 節目連結 More About Us Shinehouse Theatre Want To Dance Festival ​The Shinehouse Theatre Arts Village Wan Theatre