Team Members 成員介紹 Artist Director 曉劇場暨萬座曉劇場藝術總監 艋舺國際舞蹈節策展人。 Back 鍾伯淵 CHUNG, Po-Yuan 曉劇場暨萬座曉劇場藝術總監及艋舺國際舞蹈節策展人。 擅從劇場詮釋文學之美，亦紀錄城市改變發表系列作品，並出版《穢土天堂》、《地下女子》等劇本集。具備豐富編導演經驗，亦曾參與廣告、電視和電影的演出。曾受邀至泰國曼谷劇場藝術節、上海國際當代戲劇季、臺北藝術節、東京藝術節、台南藝術節、桃園鐵玫瑰藝術節等。《魚》、《潮來之音》分別獲選為2019年及2022年愛丁堡藝穗節台灣季演出作品。2020年執行策劃並擔任鈕扣計畫10週年製作人、舞躍大地舞蹈創作比賽計畫主持人。 Chung Po-Yuan graduate d from the Department of Drama of National Taipei University of the Arts, majoring in directing. He established Shinehouse Theatre in 2006. His works focus on human nature and contemporary social issues, accumulating a repertoire of more than 30 productions to date and has published script collections of "Armageddon" and "Underground Women." He has been invited to Thailand Bangkok Theater Festival, Shanghai International Contemporary Theater Festival, Taipei Art Festival, Tokyo Art Festival. At the same time planning and producing the 10th anniversary of the 2020 New Choreographer project (Meimage Dance), and the principal of 2020 Taiwan Creative Dance Competition. He is currently the curator of Want to Dance Festival, and the director of Wan Theater.

Shinehouse Theatre was founded in 2006, Taipei, whose creations range from literature adaptation to social awareness all the way to the city; from reinterpreting classic literature through theatre, to concern our community as a co-living group, to document the change of cities. Shinehouse Theatre was founded in 2006, Taipei, whose creations range from literature adaptation to social awareness all the way to the city; from reinterpreting classic literature through theatre, to concerning our community as a co-living group, to documenting the change of cities. Recently, they based themselves in Wanhua. They aim to reflect contemporary society through each of its productions, as well as documenting our present environment. Based in Wanhua for many years, Shinehouse Theatre focuses on social issues, using local ingredients as one of their main motivations for their creations. In their “Ferry Mengjia” series, they have street interview with local homeless and sex workers, documenting their life stories, seeking for the truth beyond standard stereotype impressions. In their Armageddon Trilogy, they discuss about the aggression of dominant cultures, civil rights, personal relationship with the society, and various aspects of humanity, which ends up in a series of published plays. In 2019, Shinehouse Theatre hosts the “Want-to-Dance” festival. Through unconventional theatre spaces in Wanhua, the three-day festival leads to an exchange in dance, with a total of 30 domestic and international groups contribute to more than 60 shows , simultaneously presented in 6 different locations. Shinehouse Theatre also seeks expanding abroad recently, including art festivals in Shanghai, Bangkok, Japan, and many other places. In 2019, they are attending the Edinburgh Festival Fringe. Shinehouse Theatre strikes for pieces that are cross-language and cross-cultural, bring audiences with different backgrounds toward the same movement as our common life trajectories under the power of theater. Chinese

Team Members 成員介紹 CHANG, Wan-Ting As a member of Shinehouse Theatre in 2022, Chang is currently an undergraduate student in Tamkang University, majoring in Spanish. She has performed in the opening performance of Wan Theatre, as well as the workshop performance in Emiko Agatsuma’s “Tsukumo-Gami”. She was also the sound execution for “Electronic City”and“In Between.”and perform in Edinburgh Festival Fringe’s Taiwan Season: “The Whisper of the Waves”(2022) . She is actively engaging movies, televisions and theatres, constructing the flow of life through ordinary steps. Back List Title 1 / Item Title Describe the item and include any relevant details. Click to edit the text. 2 / Item Title Describe the item and include any relevant details. Click to edit the text. 3 / Item Title Describe the item and include any relevant details. Click to edit the text.

2023 3/17-19 《微波爐裡的無事下午》 A Free Afternoon In The Microwave 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre 5/19-21 《潮來之音》歐洲巡迴版 The Whisper of the Waves 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre 6/3-6/4 《5月35日》 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre 6/21 《潮來之音》歐洲巡迴版 The Whisper of the Waves 立陶宛，克萊佩達 Lithuania，Klaipeda 立陶宛國家戲劇院 TheATRIUM KLAIPĖDA DRAMA THEATER 6/28.29 《潮來之音》歐洲巡迴版 The Whisper of the Waves 德國，柏林 Germany，Berlin 柏林文化中心 Internationales Kulturcentrum ufaFabrik e.V 11/3-5 臺南演出計畫 臺灣，台南 Taiwan，Tainan

2024 3/8-17 《第一夜》 The First Night 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre 3/22-24 《家庭場景》A Piece of Home 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre 5/29-6/1 《潮來之音》The Whisper of the Waves 捷克，布拉格 Czech Republic, Praha 6/6 《潮來之音》 The Whisper of the Waves 波蘭 Poland 7/3-21 羅丹計畫——馬克白夫人 The Rodin Project — Lady Macbeth 法國，台灣外亞維儂藝術節 France，Festival Off Avignon 8/9-21 《潮來之音》 The Whisper of the Waves 日本，東京 Japan，Tokyo 9/15 《潮來之音》 The Whisper of the Waves 土耳其，伊斯坦堡 Türkiye，Istanbul 10/13-15 黃春明文學作品改編之共融劇場系列《魚・貓》 Fish・ Cat 台灣，高雄 Taiwan，Kaohsiung 11/22-24 宮部美幸怪談系列《附身》Possessed 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre 11/29-30 12/1 《潮來之音》 The Whisper of the Waves 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre

《夏日微涼夜話》呈現人際關係疏離冷漠的都會生活中，人們遭遇挫敗後往往找不到出口抒發，必須尋找其他方式逃避令人痛苦、無助的現實。劇中討論的雖然是鬼，但關懷的還是在世的人如何對待自己的生命。 A Midsummer Night’s Chat is composed of many ghost stories, alongside the multilayered perspectives of technological images, ushering the audience into the most terrible tableaus of supernatural encounters. EP1 EP3 EP4 EP5 EP6 summer cool night A Midsummer Night's Chat 2011｜Xiao Theater Art Space 2013｜Tokyo International Theater Festival, Japan 2013｜Hong Kong Fringe Folk Culture Festival Lanterns flickered, and a white veiled room took center stage. Storytellers paced back and forth among the audience, recalling the experience of seeing ghosts. A single woman who witnessed repeated jumps from a former tenant, an elementary school student who talked to her underworld grandmother every day, a mother who found her daughter with unknown bruises every day… Why do ghosts exist? Why do ghost stories always evoke strong emotions in listeners—whether it be curiosity, fear, guilt, or resistance? "Summer Cool Night Talk" is presented in the urban life where interpersonal relationships are alienated and indifferent. After encountering setbacks, people often cannot find an outlet to express themselves, and must find other ways to escape the painful and helpless reality. They pin their hopes on invisible ghosts, and ghosts also become concrete images of people's desires and obsessions. Although ghosts are discussed in the play, the concern is how living people treat their own lives. The sound of steps at midnight hallway, a lady's obsessive love for past lover, a spirit trapped in the suicidal scene repeating the act, a mother guilty for her abortion, is she revenged by the infant ghost, or is she not relieved of her buried guilt? The midnight greeting of a deceased family, a window left open every morning, who is hiding behind? A Midsummer Night's Chat is composed of many ghost stories, alongside the multilayered perspectives of technological images, ushering the audience into the most terrible tableaus of supernatural encounters. EP1 summer cool night A Midsummer Night's Chat 3: STOP! Bus : 3 STOP! Bus 2015｜ Xinbeitou MRT Station → Beitou → Beitou MRT Station In 2015, the Taipei Arts Festival commissioned the production of "Summer Cool Night 3: STOP! Bus", adding elements of escape room, imprisoning the audience in the car for an unknown journey. The audience must participate in the process of story development. Through the interactive process of finding clues and solving puzzles, the truth behind the story can be revealed, and the entire journey can be completed. The play uses the bus as the vehicle, and the audience will follow the characters to start a journey of memory. Every place where they get off the bus has a deep connection with them, so that the monuments are no longer just traces of the years and ancient legends, but a leap in The living flesh and blood on the paper; and it is matched with the secret room to solve the puzzle, allowing the audience to gradually unravel the story of the character through interaction. As the audience decrypts, the plot becomes more and more clear, and the three seemingly unrelated people slowly weave the story. the whole picture. Help! Trapped in a nightmarish city, how can one escape the galloping bus? A bus disappeared during its last city tour around Taipei; three strangers lead it to the underworld. Escaping clues are provided, but if they remain unsolved during the next hour, all passengers would be led into the darkness, and become yet another urban legend. "Stop! Bus", the 3rd episode of "A Midsummer Night's Chat", combines the current fashion of immersive theatre, and the hit escaping game in Taiwan, provides a unique experience with escaping game and ghost stories. EP3 summer cool night A Midsummer Night's Chat 4: Road at Night 4: dark road 2016｜ Wuyuan Cultural Center, Fengshen Temple Ding Zhong's official residence, Temple of Five Concubines Based on the stories of the victims of the February 28 Incident, the play collects literary creations and poems from the February 28 and later White Terrorist periods, as well as the life history of the victims, as well as the strange stories of historical sites in Tainan, which are combined into this performance. text. And through the concept of immersive theater combined with the escape room game, the audience can be more active and grasp the direction and context of the development of the story. The bus is used as the vehicle, and the audience will follow the characters to start a journey of memory. Every place they get off the bus has a deep connection with them, so that the monuments are no longer just traces of the years and ancient legends, but leaps on paper. Living flesh and blood; and with the secret room puzzle solving, allowing the audience to gradually unravel the story of the characters through interaction. As the audience deciphers, the plot becomes more and more clear, and seemingly unrelated ghosts slowly weave the whole picture of the story. . 2016 Tainan Arts Festival "A Midsummer Night's Chat4: Road at Night", in addition to Tainan local legends, part of the story is based on events from 228, and experience forming the script, presented as ghost stories, from the ghosts of the dead to the symbols of authority, ghosts that break into doors late at night to take away loved ones, so that those who cannot face and talk about bodies and shapes, turn into a kind of devil, shuttling back into different stories and spaces. The performance contains a total of two routes, a total of six stories, in Wu Garden, Ding Zhong Official Residence, Fengshen Temple, Temple of the Five Concubines 4 historical attractions. Basing “integrity” as the concept throughout the play, talking about the five princesses who stubbornly persisted in loyalty, about Mother of Lightning illuminating the Earth to distinguish right and wrong, and then to the innocent victims of the 228 events who stood up for justice, in order to each pursue justice by sacrificing their lives and their undying courage. EP4 summer cool night A Midsummer Night's Chat 5: The Gap 5: Gap 2017｜ Tangji Cultural Park B warehouse, Xiao Theater Art Space, Huajiang House The content of the story of this play is based on urban anecdotes, referring to the urban anecdotes and character history of Wanhua Huajiang's entire residence, based on ghost stories, re-telling the story belonging to the whole residence of Huajiang, and connecting it with the circular flyover in the whole residence of Huajiang. In the devious building space, we move through the sky bridge, the passage of stairs up and down and seven different spaces, passing stories one after another hidden in the building, so that everyone can re-understand this forgotten space. During the performance, the audience is divided into three groups. Only the audience map and clues are provided. The audience will go to the designated location and visit three different routes. Through watching the play, solving puzzles, and visiting the space, the audience can enjoy different sensory enjoyment. EP5 summer cool night A Midsummer Night's Chat 6: The Gap II 6: gap two 2018｜ Xiao Theater Arts and Culture Space Continuing last year's production of "Summer Cool Night Talk 5: Gap", the creation is based on the whole house of Huajiang, combined with ghost stories and secret rooms to solve puzzles, and has close contact and interaction with the audience. The story is chosen to be performed in a room in the whole house. It uses the interlacing of time and space to narrate the stories of the residents in the same room at different times, and uses "faith" as the running point, starting from the "Xia Tian Palace" in the story, because Out of control beliefs lead to the succession of different time and space, the people living here gradually fall into madness in their own suppressed obsessions, and eventually become manipulated ghosts and ghosts, acting as a feline for them, transforming into an inescapable invisible spirit, only Faith can escape. EP6 曉劇場《夏日微涼夜話3－STOP巴士》 Play Video All Videos

曉劇場2006年成立於臺北，作品方向包括文學改編、社會議題的關懷與創作，以及城市系列，從劇場詮釋經典文學之美，從議題關懷我們共同生活的群體，從創作記錄城市的改變，希望透過每一個作品反映當代社會，更加瞭解生活的土地，也記錄我們存在的當下環境。 Shinehouse Theatre was founded in 2006, Taipei, whose creations range from literature adaptation to social awareness all the way to the city. Program Preview 《穢土天堂二部曲：地下女子》 死前三日在黑暗中面對過去， 才能自大地母神的甬道獲得新生。 女人一代一代的在幽暗的地洞裡吟唱、呢喃和教育後代。 直到有一天，一個地上男孩，不小心墜落地底，與他們一起生活、學習，然後回到地上； 在15年後帶給她們戰爭、毀滅及屠殺。 𝟮𝟬𝟮𝟲.𝟭𝟭. 𝟭𝟬 ㊁ - 𝟮𝟬𝟮𝟲.𝟭𝟭.𝟭𝟱 ㊐ 萬座曉劇場 更多節目 《家庭場景》 曉劇場團員獨角戲聯演 以「家的空間」為題，融合三個經典文本：鄭詠元《玄關的芭芭拉少校》自我理想與現實處境的價值衝突、陳家誼《樓梯間的米蒂亞》獨特？迎合？一窺米蒂亞如何邁向成名終至死亡、陳威辰《客廳裡的伊底帕斯》展現被神諭束縛永遠無法逃脫的命運。 查看更多 《魚・貓》 《魚．貓》改編自作家黃春明短篇故事〈魚〉及〈溺死一隻老貓〉，由鍾伯淵編導，邀請聾人及劇場演員共同演出 出身貧窮家庭的祖孫，為了一條壓扁的魚，引發衝突，魚象徵自尊、希望、更牽引親情；另一方面老人家為保住家鄉水源，竟不惜犧牲搏鬥。黃春明筆下的小人物，儘管面對命運百般無奈，但永遠表現純樸韌性，再艱苦的人對生活也有美好渴望。衝突中有愛、淚中有笑，即使掙扎也要懷抱盼望。 查看更多 巡迴演出 從災難的預言 窺視人性的「愛、孤獨與存在」 一位只與盆栽作伴的男人、想要孩子的女同性戀伴侶，與愛貓陪伴十多年的女子....... 巨浪來襲前 ，相愛的人的叨叨絮語.... 5/29-6/1 捷克布拉格 6/6 波蘭 8/9-11日本東京本多劇院 9/14 土耳其 11/29-12/1 萬座曉劇場 查看更多

Team Members 成員介紹 鄭詠元 Back As a contracted playwright (Saxian co.), Cheng joined Shinehouse Theatre in 2006 and has maintained his career as a stage performer for about three years. In 2010, he began to devote his work in writing of film and television productions. In 2014, he worked as a screenwriter in KimKong Puppet Show. During that time, he also contributed in many popular puppet show lyrics. He has more than ten years of professional writing experience. In 2017, he returned to Shinehouse Theatre to re- hone his creative energy and successively participate in the annual productions of "Armageddon Trilogy 3: Adolf ”, “Yuguko”, “La Marie Vision”, and Edinburgh Festival Fringe’s Taiwan Season: “Fish” as sign language performer.

再高的山都無法遮蔽旭日的光芒。Shinehouse Theatre 曉劇場 努力對社會及劇場生態環境注入一股明亮力量，並為所有劇場觀眾帶來面對生命的熱忱與希望。 Shinehouse Theatre 萬座曉劇場 Shinehouse Theatre Wan Theater The Shinehouse Theatre Arts Village Shinehouse Artist-In-Residence Program Want To Dance Festival Want To Dance Festival

Team Members 成員介紹 陳家誼 Member, marketing executive and actress of Shinehouse Theatre. She graduated from National Taiwan University of Arts, majored in drama, and devoted into theatre performance afterward. Her past performances include: “The Woman and The Butcher” (M.O.I Production), San-Chin development project for actors (Yang’s Ensemble), “The 366th Night” (Biu Theatre), and “Yerma” (TIFA, Theodoros Terzopoulos). She joined Shinehouse Theatre in 2017, and performed in “Adolf”, “Madame de Sade”,” The Whisper of the Waves”, Miyabe Miyuki’s “In Between”, and many others. Back

2023 3/17-19 《微波爐裡的無事下午》 A Free Afternoon In The Microwave 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre 5/19-21 《潮來之音》歐洲巡迴版 The Whisper of the Waves 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre 6/3-6/4 《5月35日》 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre 6/21 《潮來之音》歐洲巡迴版 The Whisper of the Waves 立陶宛，克萊佩達 Lithuania，Klaipeda 立陶宛國家戲劇院 TheATRIUM KLAIPĖDA DRAMA THEATER 6/28.29 《潮來之音》歐洲巡迴版 The Whisper of the Waves 德國，柏林 Germany，Berlin 柏林文化中心 Internationales Kulturcentrum ufaFabrik e.V 11/3-5 臺南演出計畫 臺灣，台南 Taiwan，Tainan

2024 3/8-17 《第一夜》 The First Night 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre 3/22-24 《家庭場景》A Piece of Home 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre 5/29-6/1 《潮來之音》The Whisper of the Waves 捷克，布拉格 Czech Republic, Praha 6/6 《潮來之音》 The Whisper of the Waves 波蘭 Poland 7/3-21 羅丹計畫——馬克白夫人 The Rodin Project — Lady Macbeth 法國，台灣外亞維儂藝術節 France，Festival Off Avignon 8/9-21 《潮來之音》 The Whisper of the Waves 日本，東京 Japan，Tokyo 10/13-15 黃春明文學作品改編之共融劇場系列《魚・貓》 Fish・ Cat 台灣，高雄 Taiwan，Kaohsiung 11/22-24 宮部美幸怪談系列《附身》Possessed 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre