Home About Wan Program Visit Venue Our Team History International Development 成員介紹 李孟融 Founding members of Shinehouse Theatre. With the passion in performing arts, Lee has devoted into theatre for over a decade, with experience in Performing Arts Alliance as Secretary General, NGO, Department of Cultural Affairs, The National Taichung Theater, Taiwan Film and Audiovisual Institute, event company, performing arts group and many others, accumulated rich experiences in administration and production. He has also recently devoted into theatre education, public relationship, promotion, fund raising and many other aspects in arts industry. 萬座曉劇場營運總監 Back 李孟融 Zeke LEE Chief Operating Officer 萬座曉劇場營運總監 Founding members of Shinehouse Theatre. With the passion in performing arts, Lee has devoted into theatre for over a decade, with experience in Performing Arts Alliance as Secretary General, NGO, Department of Cultural Affairs, The National Taichung Theater, Taiwan Film and Audiovisual Institute, event company, performing arts group and many others, accumulated rich experiences in administration and production. He has also recently devoted into theatre education, public relationship, promotion, fund raising and many other aspects in arts industry. Back Back TEAM MEMBERS More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Wan Theatre

Back More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com Latest latest news Artists About Us Matyas Toth Matyas Toth於布達佩斯戲劇與電影藝術大學，攻取偶戲碩士學位後，隨即展開一段多元且跨領域的藝術旅程，探索全球的偶戲藝術與當代表演藝術。他的藝術風格融合了偶戲、舞台戲劇表演和抽象的藝術表達形式，畢業後經常在多種領域和不同國家發展，近期計畫包括在倫敦與BBC的合作、在匈牙利最大舞台上擔任主角演出，以及在日本進行了一個有關偶戲的展覽和演出，並拍攝成紀錄片。此外，他即將於2025年赴美國紐約田調採集，預計進行一個利用紙張為媒材，以抽象的方式表達獨裁政權及其政治機制的活動或演出。

《魚》改編自黃春明小說《莎喲娜拉，再見》的短篇故事〈魚〉，反映小人物的生活面對挫折與困境的勇氣。一條被壓扁的魚，看出身貧窮家庭的阿蒼得魚、失魚的經過，描繪出鄉下生活的困苦與平實。從文學劇場演出，窺探屬於台灣的鄉土故事。 The conflict between a grandfather and grandson unfolds in a touching, richly sensory experience aimed at, but not limited to, hearing-impaired audiences.  2019 Edinburgh Festival Fringe 2nd-25th August Summerhall Event's Page "Fish" is adapted from the short story "Fish" in Huang Chunming's novel "Sayo Nara, Goodbye", reflecting the courage of little people to face setbacks and difficulties in their lives. A squashed fish shows how Ah Cang from a poor family got and lost the fish, depicting the hardships and plainness of life in the countryside. From the performance in the literary theater, we can peek into the local stories belonging to Taiwan. Sign language meets puppetry in this engaging, BSL-signed production based on a novel by Taiwanese author Huang Chunming. The conflict between a grandfather and grandson unfolds in a touching, richly sensory experience aimed at, but not limited to, hearing-impaired audiences. " Even if I can't hear it, it still makes me immersed in the atmosphere of the story, and I can't get back to my senses for a long time. " －Hearing - impaired illustrator Xu Fangwei "Though I couldn't hear , I was still deeply embroiled in the atmosphere and couldn't return for a long time." - XU, Fang-wei (Hearing Impaired Illustrator)

Back Latest latest news Artists About Us 嚴婕瑄 嘉義人，生於1994，自由藝術工作者，跳舞也編舞，嘗試讓表演產生對話，擴張肢體語言的力量，試圖量衡舞蹈與生活的關係，藉由創作的思辨理解生命的樣貌，研究範疇包涵台灣本土文化，性別議題，近年創作關注父權社會議題及女性自覺。 More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

Home About Wan Visit Venue Our Team History Program International Development 萬座曉劇場創作支持： 隔離島劇團《半生瓜》 第23屆臺北文學獎舞臺劇本組評審獎劇作── 「作品帶著劇作家的理解與悲憫，卻仍能以高度自制的手法，創造情節的懸疑與情境的荒謬。」 ──文學獎決審 汪俊彥老師 久沒回家的女兒，發現從不下廚的母親竟在做菜。 砧板旁多出的平板電腦、髒亂的客廳、房間裏的父親、職場上的男朋友⋯⋯ 母女一口一口啖着鹹甜酸辣的苦瓜，體會口腔中那令人五味雜陳的味道。在這個日久失修的家中，糾纏半 生無法解脫的到底是⋯⋯？ 有些事情可能我們根本一輩子都不會明白，除了⋯⋯ I love you for sentimental reasons. 演出時間 05.06（五）19:30 05.07（六）14:30、19:30 05.08（日）14:30 編劇｜劉紹基 導演｜黃曉暉 製作人｜吳以寧 行政統籌｜邱洛彤 舞臺監督｜尹懷慈 舞臺助理｜楊溢淙 舞臺設計｜許之 燈光設計｜林映辰 行銷宣傳｜盧冠之 演員｜李詠詩、廖穎怡 節目連結 More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Wan Theatre

About Wan International Development Home Program Visit Venue Our Team History 萬座曉劇場大事紀 曉劇場成立於2006年，現駐地萬華糖廍文化園區營運「萬座曉劇場」。創作涵括如《燕子》、《她獲得約翰的吻並成為胡立德的女人——一個妓女的房間》、《穢土天堂三部曲》、《焦土》等「社會議題」面向作品：改編張曼娟、黃春明、三島由紀夫、宮部美幸等文學大家的文學改編系列；及《夏日微涼夜話》鬼故事系列作品。同時以萬華在地為基地，開設社區戲劇班並發表《水獺計畫》系列作品，並和南海發展中心以共融劇場為目標進行身心障礙者戲劇課程。曾參與上海國際當代戲劇節、曼谷國際劇場藝術節、日本東京藝術節、臺北藝術節、亞洲表演藝術節、東京藝術節、韓國東亞人民劇場藝術節與愛丁堡藝穗節演出 2006 8/20鍾伯淵、李孟融與曾珮等人發起成立曉劇場，並於9/5完成立案登記。 曉劇場團員共同承租位於文林北路一處三層公寓，將二樓公共空間做為排練場，成為第曉劇場第一個固定排練空間。 2007 2008 以「50元也可以看好戲」的概念，推出曉戲節系列節目 2009 搬至萬華和平西路三段，打造第二個地下室的公寓劇場 2010 上海下河迷倉演出《十歲》 北京、上海、香港、澳門四城五地巡演 2011 2012 曼谷國際劇場藝術節《十歲》 2013 搬至萬華華江整宅， 打造第三、四個老公寓裡的排練場 2015 受邀台北藝術節《STOP!巴士》 亞洲表演藝術節（東京）演出 2016 台北、亞洲表演藝術節演出《焦土》巡演 2018 Entered the Longshan Cultural and Creative Base, the fifth Xiao Theater's own rehearsal 2019 前往愛丁堡藝穗節演出《魚》 耿一偉、鍾伯淵聯合策展辦理-艋舺國際舞蹈節 2020 遷入萬座曉劇場，開始古蹟修復再利用申請與施工的歷程 2022 二度前往愛丁堡藝穗節演出 萬座曉劇場開門，經營曉劇場自己的劇場 More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Wan Theatre

Latest latest news Artists About Us Xu Chengwei The founder of "Xu Chengwei Production Dance Troupe", the body language of returning to the truth and being rude, and accommodating softness and rigidity is the essence of Xu Chengwei's production dance troupe. The members of the "Gu Ming Shen Dance Troupe" have taught improvisation and improvisation dance for many years, and even performed improvisation dance performances. Currently, he is also a lecturer at Huashan Academy of Peking Art University and a lecturer in modern dance at the Department of Dance at Taipei City University. Back Education In 2016, he graduated from the Institute of Dance, National Taipei University of the Arts. In 2011, he graduated from the National Taipei University of the Arts Department of Dance with a seven-year system. experience In 2021, he was selected to create the work "Dead Line" in [Kaohsiung Spring Art Festival Small Theater Series]. In 2021, the work "Kidult" will be premiered at the National Experimental Theater of the Two Halls. In 2018, "Ritual" was invited to perform selected pas de deux excerpts from Taipei [Encounter Dance Festival] and Macau [Contemporary Dance Exhibition and Exchange Platform]. In 2017, "Rite" was selected as the "HOTPOT East Asian Dance Platform" at the Hong Kong Urban Contemporary Dance Festival. In 2016, "Rituals" [Edinburgh Fringe Festival - Taiwan Season] and [NEUNOW Art Festival in the Netherlands]. In 2015, "Ritual" was selected as the "Thirty Salon Theater Station Project", and performed at the "Beijing Dance Fortnight" and the "Hawaii Dance Festival". 2015 "Rites" "Shi'an Cultural and Educational Foundation-Shi'an Aesthetics Award". Program content Choreographer Xu Chengwei has a strong interest in topics such as death and ritual because of his family's funeral background, and has inspiration and connections from ordinary people. There are various attitudes of existence, and I hope to share and communicate with the audience through creation. Faced with these issues, perhaps I don’t know how to face them or how to solve them. However, in Cheng Wei’s creative works, these kinds of issues are often used to arouse everyone’s awareness and attention through the stories of the works, and trigger the audience to change their minds. A lot of thinking and choices lead to resonance and fermentation on the topic. The work "Shangzao" Cheng Wei will connect the good and evil in human life with the ritual of sending off and inviting the gods. It is said that the December 24th of the lunar calendar is the annual sending-off day. People must follow the time and time of sending off the gods. The ceremony invites the Kitchen God back to the heaven, but it is necessary to prepare to send the gods seven treasures: gold, silver, copper, iron, tin, pearls, agate, to pray for peace and future in the coming year, and on the fourth day of the first lunar month, people must also follow Customs and rituals cautiously welcome the gods back, continue to monitor the world, and report good and evil. This time, Cheng Wei will start from the creative quality of Qibao as a dance, integrate various traditional sacrificial rituals into the choreography and movements, combine sacrificial rituals and people's beliefs, and discuss and think about everything in life with the people. Is it controlled by God? This time, Xiao Theater's village-based recruitment plan is based on alienation. After the severe outbreak of the epidemic, people were separated geographically, culturally and psychologically, and a sense of anxiety and panic appeared. Through the work "Shangzhuo", it proposes beliefs about people's hearts, hoping to stabilize the power in people's hearts, re-examine themselves and lead people to understand traditional ritual culture, triggering people's multiple thinking about life and culture. More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

Latest latest news Home 首頁 Artists About Us Open Call officially started From now until 4/30 Hand Knife Registration Please send to: shinehousetheatre02@gmail.com within the deadline 2022 Xiao Theater Art Village 2024 Shinehouse Artist-In-Residence Program More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

計畫理念 doing/city choreographic fieldings The aim is to develop and test new beginnings of an urban choroegraphic spacemaking practice called fielding and hereby investigate into Taipehs urban landscape. Secondly to work on descriptive methods of translating sensoric experiences into a language and creating records of what has been found. Back Latest latest news Artists About Us Sabine Zahn 來自柏林，是一位藝術家、研究者和教育家。她著重的領域橫跨編舞、都市實踐、美學，以及城市生活和這些領域之間的相輔相成。「doing / city」就是透過放開的肢體來創造空間 / 生活的美學。莎賓∙薩恩與各方藝術家和城市規劃師密切合作，重新校準藝術與其他社會領域之間的關係。其中一個知名案例就是與建築師團隊raumlaborberlin的合作。她在萊比錫研究戲劇學和新聞學、於瑞士提契諾的迪米特里戲劇學校取得學位、曾在HZT柏林進修，現在則是阿姆斯特丹大學THIRD的研究生。瓚恩的研究獲得各種獎學金和補助，目前柏林的Tanzpraxis提供的2022/2023研究金讓她得以在各種不同樣貌的城市進行多方研究，像是哥倫比亞的麥德林、俄國的加里寧格勒、喬治亞的第比利斯等城市。她的演出計畫《欺騙FREMDGEHEN》、《出走STADTERWEITERN》、《蒞臨INTO DWELLING》探索在不同樣貌的城市裡，會綻放怎樣的編舞策略、激起城市生活裡何種火花。身為漂浮柏林大學的一員，薩恩致力發展城市實踐場域，並聚集多樣的推廣能量，像是《空間實踐空間》的計畫。她同時也是柏林藝術研究室AREAL的一員，致力於推廣並打造跨領域的人際網路。薩恩於海牙皇家藝術學院、維藤/海德克大學、HZT柏林、柏林自由大學、柏林藝術大學等數間大學，教授都市化、文化研究、舞蹈和表演等領域。 More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

計畫理念 《體感青草集》——「燉煮一支慢熟的舞」創作前期實驗計畫。 創作緣起 萬華青草巷，是自清代以來就有的古老街巷之一，早期開墾時疾病眾多，居民常依賴口傳偏方或至龍山寺求藥籤，再到附近的青草店買青藥草治病，因此青草街又稱「救命街」。走進艋舺小小的青草巷 之中，彷彿走進了一個迷你的藥草森林，早期的醫療系統不發達，青草藥材默默地成為最接地氣的民間 治療體系，古老的先民智慧也傳承其中，許多婆婆媽媽們更是熱衷於青草，不管治病或養生，都習慣抓藥回家燉煮，也許 ，在青草巷小小的店舖裡，環繞於青草藥才之間的，是一種信仰與寄託，更是流動在人與人之間的溫度。而這份熬煮的溫度，也讓我憶起兒時阿公阿嬤家的廚房，鍋中慢燉慢煎的每一點心意 •和有時自己也會被迫捏著鼻子喝下幾碗的熟悉。 近年當了媽媽之後，為了避免讓成長中的孩子接觸西醫對抗式療法中會增加身體負擔、甚至導致強烈副作用的化學合成藥物，而開始學習 「順勢療法」，逐漸認識了自然界中蘊藏著恢復健康密碼的植物、礦物或動物，提供了藉由生命力、身心狀態和免疫力的提升來促進健康的另一種途徑。而這般想要接觸大自然草藥，並能熟知、分享和運用自如的渴望，好似與青草巷的婆婆媽媽們，有了切身的、跨越 時空的連結。 也許 ，這當中流動的，不僅是信仰與寄託；熬煮的，也不僅是養分與溫度。也許只是最根本的、來自盘親純粹的愛與期盼。 Back Latest latest news Artists About Us 王怡湘 豐原人，現為自由表演藝術工作者、古舞文創「跳舞蘭計劃 Dancing Orchid 」 合作教師 。 怡湘曾參與歐洲編舞家 Regine Chopinot 、Henrietta Horn 、Gregor Seyffert 、Xavier Le Roy、Gianni Joseph、Lucas Viallefond 等作品演出，並擔任德國德劭劇院舞團 Ballett der TheaterDessau- Gregor Seyffert Compagnie 、組合語言舞團、賴翠霜舞創劇場、水影舞集、紙風車兒童劇團、三十舞蹈劇場、頑劇場等合作表演者與編舞者。舞蹈創作 《局外人》曾獲第十三屆台新藝術獎提名、《漫漫》獲2018年世安美學獎。當前育有一隻近四歲的調皮小兒，每天都在鬥智鬥力、玩味母職和成就自我價值的維度間探索奇妙平衡。 More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

Home About Wan Program Visit Venue Our Team History International Development Members 張欣怡 萬座曉劇場國際合作方展顧問 International Partnership Development Consultant As a contracted playwright (Saxian co.), Cheng joined Shinehouse Theatre in 2006 and has maintained his career as a stage performer for about three years. In 2010, he began to devote his work in writing of film and television productions. In 2014, he worked as a screenwriter in KimKong Puppet Show. During that time, he also contributed in many popular puppet show lyrics. He has more than ten years of professional writing experience. In 2017, he returned to Shinehouse Theatre to re- hone his creative energy and successively participate in the annual productions of "Armageddon Trilogy 3: Adolf ”, “Yuguko”, “La Marie Vision”, and Edinburgh Festival Fringe’s Taiwan Season: “Fish” as sign language performer. 成員介紹 Back More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Wan Theatre

Home About Wan Program Visit Venue Our Team History International Development 《之間》 萬座曉劇場開幕演出 宮部美幸三島屋奇異百物語系列 In Between 2022.06.10 - 2022.06 .12 2022年觀眾敲碗 好評重演 編導鍾伯淵日本文學劇場系列經典 2020年受邀韓國東亞劇場藝術節 2021年受邀首爾國際環境藝術節 舞踏我劇場/AGAXART 我妻惠美子 參演 潮來巫女召喚亡者，藉她之口囁嚅亡者之音， 相互詛咒彼此早死的伴侶、和盆栽為友的男人...。 潮湧來去，漂浮的他們極力為自己生命定錨，在極樂和地獄間徘徊 2018年伯淵導演藉國藝會「海外藝遊計畫」前往日本三大靈場之一的恐山，那裡仿若北投地熱谷的火山地形、堆疊一座座石頭塔祭弔亡魂，不停轉動的風車隨風旋去念想；日本八戶市當地的潮來巫女（Itako），必由眼盲的女子擔任，她以口傳遞著生死兩界的訊息，與台灣的觀落陰相似，令猝不及防地生命消逝時，生者得以傳遞思念。 潮來之音是海潮陣陣逼近的聲響，是徘徊在生死間的低聲喃喃，也是滌淨的潮垢離。 演出時間 07.15（五）19:30 07.16（六）14:30、19:30 07.17（日）14:30 導演/劇本創作：鍾伯淵 肢體設計暨演出者：我妻惠美子（Emiko Agatsuma） 演出者：曾珮、廖治強、鄭詠元、陳家誼、李廷羿、謝承瑜 製作人：葉育伶︱技術總監/舞台設計暨執行：李孟融︱音樂設計：陳明儀︱服裝設計：李逸塵︱燈光設計暨執行：柯雅云︱音樂音效執行：張婉庭︱執行製作/字幕執行：李雅涵 更多資訊→ More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Wan Theatre