搜尋結果

Team Members 成員介紹 鍾伯淵 曉劇場 暨 萬座曉劇 場藝術總監 艋舺國際舞蹈節策展人 張欣怡 國際事務顧問 林佑靜 陳家誼 鄭詠元 吳亦展 陳筱婷

武山中尉與麗子享受著新婚的快樂，一場叛變讓武山在飄雪的清晨飛奔而出，而麗子懷抱著追隨丈夫於地下的覺悟整理隨身物品；她等待三天，當中尉回來後，她張羅丈夫日常、與之交歡，看著他切腹自盡；而後麗子莊嚴平靜的一人走上成就之道。 “Yukoku”, the theater play, was adapted from the novel story of the same name written by one of the most important Japanese literature writers, Mishima Yukio. "Worrying the Country" 2018｜Taiwan Opera Center Small Performance Hall Yukoku The scenes of sex and death described in "Worrying about the Country", the complete fusion and multiplication of eroticism and righteousness, can be called the only happiness I have been looking forward to in this life. --- Mishima Yukio "Yukoku", the theater play, was adapted from the novel story of the same name written by one of the most important Japanese literature writers, Mishima Yukio. As Reiko and Takeyama enjoy their time after their recent wedding, a mutiny forces Takeyama to rush out in the snowing morning, with Reiko cleaning the house under the consciousness to follow her husband into the afterlife. She waits three days, and as Takeyama finally returns, she takes care of him, sex with him, watches him commits seppuku, and finally , goes on her own journey toward final completion. Lieutenant Wushan and Lizi were enjoying the joy of their wedding. A betrayal made Wushan run away in the snowy morning, while Lizi packed her belongings with the consciousness of following her husband underground; she waited for three days, and after the lieutenant returned, she made Her husband had sex with him on a daily basis, and watched him commit suicide by cutting his belly; then Reiko, solemnly and peacefully, embarked on the path of achievement. Xiao Theater cuts into the classic works of Japanese literature master Yukio Mishima from a female perspective, and looks back on the awakening before the two of them went to death together through Reiko's eyes; sees Yukio Mishima's ultimate writing on lust and death, and analyzes his madness, beauty, and momentary dedication. , and through Lizi's calm attitude to death, to show the ultimate aesthetics for personal spiritual beliefs. Lai Wanling Performing Arts Platform If it is said that Yukio Mishima's short story "Worrying about the Country" uses words to bring the flowing lust and fearlessness to death on the paper, then the stage play "Worrying for the Country" interpreted by Akatsuki Theater is to express the "flowing lust" and the fearlessness of death. "The Fearlessness of Death" is the embodiment of the combination of the two.

2024 3/8-17 《第一夜》 The First Night 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre 3/22-24 《家庭場景》A Piece of Home 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre 5/29-6/1 《潮來之音》The Whisper of the Waves 捷克，布拉格 Czech Republic, Praha 6/6 《潮來之音》 The Whisper of the Waves 波蘭 Poland 7/3-21 羅丹計畫——馬克白夫人 The Rodin Project — Lady Macbeth 法國，台灣外亞維儂藝術節 France，Festival Off Avignon 8/9-21 《潮來之音》 The Whisper of the Waves 日本，東京 Japan，Tokyo 10/13-15 黃春明文學作品改編之共融劇場系列《魚・貓》 Fish・ Cat 台灣，高雄 Taiwan，Kaohsiung 11/22-24 宮部美幸怪談系列《附身》Possessed 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre

計畫理念 本計畫以音樂與文學作品引領的表演藝術創作為主軸，探索街景與時間的對話。 曉劇場鄰近華江整宅，上乘艋舺，下接雙園，整個區域相較於台北市東側的發展顯得停滯，彷彿凍結了時光，而在這樣的街景之中，人物依舊是隨著時間在改變，交融之下呈現出難以言喻的獨特氛圍。 但「停留」是一個相對性的概念，沒有移動的事物無法顯示靜止，只會呈現一個存在。 音樂是在時間上進行的一種創作，即便樂音停留，時間依舊在前進，概念上與劇場鄰近之氛圍相當契合。 時間在前進，生物會衰老，建物會折舊，即便街景輪廓依舊，但實際上沒有事物有暫停。希望能夠透過實地走進社區，將街景的聲音採樣作為音源，製作延音較長的聲響素材為出發來進行創作，表現出停留與沒有停留的樣貌，並以此為基礎，找尋相關的文學作品以及適合的肢體演出形式。 Back Latest latest news Artists About Us 呂尚霖 1.學經歷 學術背景 國立師範大學 流行音樂產學應用碩士在職專班 碩士 2017年8月-2020年6月 Musicians Institute (U.S.）表演藝術（吉他）副學士 2012年9月一2014年3月 國立政治大學 哲學系學士2008年9月-2012年6月 音樂製作 2018 号薔《蝸牛》單曲 專案製作助理 2018 李千那《查某囡仔》專輯 專案製作助理 音樂教學 Julia Music 數位音樂、吉他、烏克麗麗教師 (2014至今) 華硋國際實驗教育機横鳥克麗麗、數位音樂教師 (2019至今） 台北市文山社區大學 烏克麗麗教師 (2021至今) 音樂活動策展團體 _2016 加蚋子Tone 主辦人 -2017 鄭州路xTone 主辦人 2.近期成果 2021 發行個人專輯《都會笑話輯》 與Transparent Cyber Astronomv於 國立台北藝術大學 妖言文學祭 演出 與Transparent Cyber Astronomy於 海或瘋市集 演出 與Transparent Cyber Astronomy於 公館河岸留言 演出 More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

計畫內容 「《聲縮．身所》＿聲音與身體之創作研究計畫」，將創作者帶至現地「萬華」，思考以聲音如壓縮檔的形式儲存於身體之中的想像，連結我們對於環境聲音的流動與捕捉，回想成長脈絡之經歷，拼湊身體歷史的記憶片段。此創作執行計畫分為以下四個階段：・感/聲音採集：透過自身背景對自我與環境的敏銳度，重新剖析感官的刺激與閱讀。在資訊爆炸的世代，使得流動變得快速，地域物換心移，但總有一些氣息還停留在轉角處。我想透過我的行走，用身體去發現那些氣息，並且將之紀錄。透過區域環境的好奇，藉由採集來找尋那不平凡有如脈搏般的聲響。 ・思/身體壓縮檔：身體的脈搏如果不是在安靜的氛圍或觸摸是感受不到的，但卻是非常重要的存在。我發現環境中的聲響有如脈搏，他是在地性的脈搏，所以每個區域都有屬於自己脈動。我遇見台北萬華，像是看見家鄉＿高雄鹽埕，都是累積深厚文化底蘊的地帶。我本身喜歡遊晃巷弄中，雖然時間沖刷但也沈澱重量，人群與物件仍然安放，少了點繽紛奪目，但多了陰翳值得慢慢品味。於是透過身體力行，捕捉聲響成為鑰匙，開啟身體歷史的記憶抽屜。 ・建/語彙符碼：舞蹈在表演藝術中沒有文本，但卻可以從表演者的動作語彙中被閱讀。動作除了身體經驗所積累的反饋，也因思考而組織建構。於是，前面兩階段是成就新體驗與歷史經歷媒合，而經過多元面向的思考的切入，刺激對人事物的不同觀點。並且加入一位對表演有興趣的長者，透過彼此背景的了解以及對聲音記憶，這造就了對身體語彙的產出與表達，然而這是創作與表演路途上關鍵的轉化過程。 ・整/我知：從理念的產生到計畫採集，然後結構、創作至完整，是個作品的成長脈絡。從觀看與被觀看縮短彼此的距離，在作品提供的線索中，找到共鳴。雖然不變的是以舞蹈來呈現，但過程的路徑以不同的行時來行走，期待創作期間的發現與可能，從《我知道沒有什麼是我知道的》到《聲縮・身所》。 Back Latest latest news Artists About Us 林憶圻 1990 年生，高雄人。 國立臺北藝術大學舞蹈研究所表演主修畢業。 目前為古名伸舞團即興表演者與舞蹈自由工作者，內容涵蓋創作、表演、教學與跨領域合作。曾與多位編舞家合作，並多次參與國內外藝術節演出。首次於 2018 年發表作品《等距》，並獲世安文教基金會＿世安美學獎。2019 年於艋舺舞蹈節發表獨舞作品《我知道沒有什麼是我知道的》，同年獲國家文化藝術基金會個人創作補助，於 2020 年創作作品《如果不能再見》。2021 年古舞團製作「三種追尋」發表作品《微亮》。 More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

Home About Wan Program Visit Venue Our Team History International Development 《戰士，乾杯！》 2022曉劇場年度製作 2022.10.21 - 2022.10 .23 To the Warriors ! 「我是誰？為何而戰？」 招靈歌山林繚繞，戰士歸來！ 2020年受邀韓國東亞劇場藝術節 2021年受邀首爾國際環境藝術節 舞踏我劇場/AGAXART 我妻惠美子 參演 潮來巫女召喚亡者，藉她之口囁嚅亡者之音， 相互詛咒彼此早死的伴侶、和盆栽為友的男人...。 潮湧來去，漂浮的他們極力為自己生命定錨，在極樂和地獄間徘徊 2018年伯淵導演藉國藝會「海外藝遊計畫」前往日本三大靈場之一的恐山，那裡仿若北投地熱谷的火山地形、堆疊一座座石頭塔祭弔亡魂，不停轉動的風車隨風旋去念想；日本八戶市當地的潮來巫女（Itako），必由眼盲的女子擔任，她以口傳遞著生死兩界的訊息，與台灣的觀落陰相似，令猝不及防地生命消逝時，生者得以傳遞思念。 潮來之音是海潮陣陣逼近的聲響，是徘徊在生死間的低聲喃喃，也是滌淨的潮垢離。 演出時間 07.15（五）19:30 07.16（六）14:30、19:30 07.17（日）14:30 導演/劇本創作：鍾伯淵 肢體設計暨演出者：我妻惠美子（Emiko Agatsuma） 演出者：曾珮、廖治強、鄭詠元、陳家誼、李廷羿、謝承瑜 製作人：葉育伶︱技術總監/舞台設計暨執行：李孟融︱音樂設計：陳明儀︱服裝設計：李逸塵︱燈光設計暨執行：柯雅云︱音樂音效執行：張婉庭︱執行製作/字幕執行：李雅涵 更多資訊→ More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Wan Theatre

糖廍曉劇場藝術村為支持藝術家駐村創作發展，於今年規劃「糖廍曉劇場藝術進駐計畫」，提供國內外進駐藝術家排練空間及住宿空間作為創作基地，同時協助藝術家投入在地研究、創作與文化交流，扶植表演藝術創作發展。This year, The Shinehouse Theatre Art Village have planned “Artist-In-Residence Program” to provide a professional and residential space for domestic and international artists. ★ Call for papers ★ Application Form "Alienation" " Alienation ", this issue extends the vocabulary of people's geographical, viral, cultural, and even psychological "distance" after the outbreak of the new coronavirus (COVID-19). This call for entrants will focus on the current issue of "Alienation" as the main creative axis, and the Tangshuxiao Theater Art Village will provide a professional space, allowing creators to practice the possibility of creative development and follow-up exchanges. The Tangxiaoxiao Theater Art Village has been promoting local arts and culture of Taipei Mengka for a long time, continuously developing local resources and space, and actively promoting international connections and local exchanges. In order to support the development of artists' resident creations, the "Tangxiaxiao Theater Art Residency Project" is planned this year, providing rehearsal space and accommodation space for resident artists at home and abroad as a creative base, and assisting artists to invest in local research, creation and cultural exchanges, and support The development of performing arts creation. Eligibility Creators of performing arts at home and abroad over the age of 20. More than three years of related creative experience in art and literature. Settlement time 2021.07.01 (Thursday) - 2021.12.31 (Friday) Stationed for a minimum of 30 days and a maximum of 90 days provide equipment Free studio and residential living space. Art exchange space and opportunities. Accident insurance for entering. Subsidy for creative material costs during the period of residency in the village, up to NT$15,000 per month. Tangxiaxiao Theater Art Village will provide venue, publicity, technology and other related assistance according to the needs of the resident artists. Deadline 2021.04.22 (Thursday) - 2021.05.31 (Monday) Result announcement Mid 2021.06 The actual announcement is based on the contact time of the organizer ★ Application Guidelines ★ Application Form Alienation Alienation : since the outbreak of the coronavirus (COVID-19), our distance has been increased geographically, physically, culturally, and even psychologically. With the concept of "alienation" as the main core of creation, the Shinehouse Theatre Art Village wishes to provide a professional space, providing artists the opportunity to exchange ideas and cultivate creativity. The Shinehouse Theatre Art Village has long promoted the local arts and culture in Monga, Taipei. We have continuously developed local resources and space as well as actively promoted international connections and local exchanges. This year, we have planned “Artist-In-Residence Program” ” to provide a professional and residential space for domestic and international artists. At the same time, the Shinehouse Theatre Art Village will help the artists focus on local research, creation, and cultural exchanges in order to foster the development of the performing arts. Eligibility for Application The applicants must be performing artists in Taiwan or abroad who are at least 20 years old. The applicants must have more than 3 years of artistic or related cultural experience. Residency Period The residency period begins from July 1 to December 31, 2021. The artist shall stay for at least 30 days and at most 90 days. Facilities Provided Studio and accommodation. Art exchange space and opportunities. Accident insurance during the residency period. Subsidy for Artwork materials during the residency period (up to NT$15,000 per month). The Organizer will provide venues, publicity, technical support and other related assistance according to the needs of the artist. Application Period From April 22, 2021, Taiwan time (GMT+8) until May 31, 2021, Taiwan time (GMT+8). Selection Result Middle of June, 2021 (to be decided by the Organizer)

Team Members 成員介紹 Jessamine LIN Member of the Shinehouse Theatre, having graduated from the Institute of Arts Administration and Management at Taipei National University of the Arts. She has been involved in arts administration for many years, working on music, dance, and theater productions. She has also been involved in arts festivals and project management. She is currently assisting in the operation of Wan Theater and projects of Shinehouse Theatre. Constantly explore new possibilities in the field of performing arts. Back

《白。素。貞》從一個愛情故事中尋找東方與西方看待女性的異同之處，重新找到一個女性在婚姻、愛情及家庭中個人的價值；同時該作品較具機動性，可彈性的在不同空間行走，利用既有的展演空間，帶著觀眾邊走邊看戲，體驗不同的看戲經驗。 Miss White endures and waits. Not until four betrays when she finally realizes that she has lost herself in love. 2014｜The Courtyard Theatre Sympathetic plan -- white, plain, virgin Miss White In the traditional Chinese folk tale "The Legend of the White Snake", Bai Suzhen is a powerful snake demon, but she falls in love with the human man Xu Xuan. She transformed into a human figure and married Xu Xuan to manage the family business for him, and gave birth to a child for him. But when Xu Xuan found out the true identity of the snake demon, he betrayed his wife, scolded her loudly as a monster, and colluded with the mage to come to exorcise the white snake and suppress the white snake under the tower; Bai Suzhen silently endured and waited until she experienced After four betrayals, I realized that I had already lost myself in love. "White. white. Zhen" looks for the similarities and differences between Eastern and Western views on women from a love story, and rediscovers a woman's personal value in marriage, love and family. In the existing performance space, the audience can walk and watch the play and experience a different experience of watching the play. Chinese folk legend shares a similar idea of "Yokai" in Japanese legend, where these creatures are spirits transformed from animals or plants, usually primitive, ugly and weird. In one of the most known Chinese folk legend, "Legend of the White Snake" , Miss White is a Yokai transformed from a snake, but fall in love with a human Xu Xian. She turns into human form to marry him, and gives birth to his child. Xu Xian, however, after realizing her true identity, betrays her . In addition, he colludes a monk, who eventually sealed Miss White under a Pagoda. During the process, Miss White endures and waits. Not until four betrays when she finally realizes that she has lost herself in love. Li Chengye Commentator One after another, audience members wearing bras followed the actors to the performance space on the fourth floor. In a scene full of bras, Bai Suzhen was in pain all her life, and through the years and the red bits of sanitary napkins, she told the audience the helplessness and pain of the female part. Yang Meiying Commentator It is full of sensuality and desire (sexual desire/life desire), which are related and different. Formally, the space of the entire building is fully utilized, and the consciousness of lust and desire is flowed through different creative strategies.

Home About Wan Program Visit Venue Our Team History International Development TEAM MEMBERS 成員介紹 Back More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Wan Theatre Artist Director 曉劇場暨萬座曉劇場藝術總監 艋舺國際舞蹈節策展人。 鍾伯淵 CHUNG, Po-Yuan 曉劇場暨萬座曉劇場藝術總監及艋舺國際舞蹈節策展人。 擅從劇場詮釋文學之美，亦紀錄城市改變發表系列作品，並出版《穢土天堂》、《地下女子》等劇本集。具備豐富編導演經驗，亦曾參與廣告、電視和電影的演出。曾受邀至泰國曼谷劇場藝術節、上海國際當代戲劇季、臺北藝術節、東京藝術節、台南藝術節、桃園鐵玫瑰藝術節等。《魚》、《潮來之音》分別獲選為2019年及2022年愛丁堡藝穗節台灣季演出作品。2020年執行策劃並擔任鈕扣計畫10週年製作人、舞躍大地舞蹈創作比賽計畫主持人。 Chung Po-Yuan graduate d from the Department of Drama of National Taipei University of the Arts, majoring in directing. He established Shinehouse Theatre in 2006. His works focus on human nature and contemporary social issues, accumulating a repertoire of more than 30 productions to date and has published script collections of "Armageddon" and "Underground Women." He has been invited to Thailand Bangkok Theater Festival, Shanghai International Contemporary Theater Festival, Taipei Art Festival, Tokyo Art Festival. At the same time planning and producing the 10th anniversary of the 2020 New Choreographer project (Meimage Dance), and the principal of 2020 Taiwan Creative Dance Competition. He is currently the curator of Want to Dance Festival, and the director of Wan Theater. Back

2024 3/8-17 《第一夜》 The First Night 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre 3/22-24 《家庭場景》A Piece of Home 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre 5/29-6/1 《潮來之音》The Whisper of the Waves 捷克，布拉格 Czech Republic, Praha 6/6 《潮來之音》 The Whisper of the Waves 波蘭 Poland 7/3-21 羅丹計畫——馬克白夫人 The Rodin Project — Lady Macbeth 法國，台灣外亞維儂藝術節 France，Festival Off Avignon 8/9-21 《潮來之音》 The Whisper of the Waves 日本，東京 Japan，Tokyo 9/15 《潮來之音》 The Whisper of the Waves 土耳其，伊斯坦堡 Türkiye，Istanbul 10/13-15 黃春明文學作品改編之共融劇場系列《魚・貓》 Fish・ Cat 台灣，高雄 Taiwan，Kaohsiung 11/22-24 宮部美幸怪談系列《附身》Possessed 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre 11/29-30 12/1 《潮來之音》 The Whisper of the Waves 臺灣，臺北 Taiwan，Taipei 萬座曉劇場 Wan Theatre