Home About Wan Program Visit Venue Our Team History International Development Members 鄭詠元 Back As a contracted playwright (Saxian co.), Cheng joined Shinehouse Theatre in 2006 and has maintained his career as a stage performer for about three years. In 2010, he began to devote his work in writing of film and television productions. In 2014, he worked as a screenwriter in KimKong Puppet Show. During that time, he also contributed in many popular puppet show lyrics. He has more than ten years of professional writing experience. In 2017, he returned to Shinehouse Theatre to re- hone his creative energy and successively participate in the annual productions of "Armageddon Trilogy 3: Adolf ”, “Yuguko”, “La Marie Vision”, and Edinburgh Festival Fringe’s Taiwan Season: “Fish” as sign language performer. 成員介紹 More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Wan Theatre

計畫理念 doing/city choreographic fieldings The aim is to develop and test new beginnings of an urban choroegraphic spacemaking practice called fielding and hereby investigate into Taipehs urban landscape. Secondly to work on descriptive methods of translating sensoric experiences into a language and creating records of what has been found. Back Latest latest news Artists About Us Sabine Zahn 來自柏林，是一位藝術家、研究者和教育家。她著重的領域橫跨編舞、都市實踐、美學，以及城市生活和這些領域之間的相輔相成。「doing / city」就是透過放開的肢體來創造空間 / 生活的美學。莎賓∙薩恩與各方藝術家和城市規劃師密切合作，重新校準藝術與其他社會領域之間的關係。其中一個知名案例就是與建築師團隊raumlaborberlin的合作。她在萊比錫研究戲劇學和新聞學、於瑞士提契諾的迪米特里戲劇學校取得學位、曾在HZT柏林進修，現在則是阿姆斯特丹大學THIRD的研究生。瓚恩的研究獲得各種獎學金和補助，目前柏林的Tanzpraxis提供的2022/2023研究金讓她得以在各種不同樣貌的城市進行多方研究，像是哥倫比亞的麥德林、俄國的加里寧格勒、喬治亞的第比利斯等城市。她的演出計畫《欺騙FREMDGEHEN》、《出走STADTERWEITERN》、《蒞臨INTO DWELLING》探索在不同樣貌的城市裡，會綻放怎樣的編舞策略、激起城市生活裡何種火花。身為漂浮柏林大學的一員，薩恩致力發展城市實踐場域，並聚集多樣的推廣能量，像是《空間實踐空間》的計畫。她同時也是柏林藝術研究室AREAL的一員，致力於推廣並打造跨領域的人際網路。薩恩於海牙皇家藝術學院、維藤/海德克大學、HZT柏林、柏林自由大學、柏林藝術大學等數間大學，教授都市化、文化研究、舞蹈和表演等領域。 More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

Latest latest news Home 首頁 Artists About Us Open Call officially started From now until 4/30 Hand Knife Registration Please send to: shinehousetheatre02@gmail.com within the deadline 2022 Xiao Theater Art Village 2024 Shinehouse Artist-In-Residence Program More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

黃至嘉 2013-2015 University of the Arts London - Central Saint Martins, MFA - Performance Design and Implementation _cc781905-5cde-3194 -bb3b-136bad5cf58d_ (Master of Arts- Performance design and practice) 2012-2013 National Taipei University of the Arts Dance Institute Performance Creation Group - majoring in Dance Performance (傄) 2005-2010 Department of Drama, National Taipei University of the Arts ─ majoring in directing Education experience 2021 Xiao Theater Mengjia International Dance Festival "Leap" Leap - Staged Presentation of Dance Video Short Film "No Name" - Creation/Performance 2020 Xu Fangyi Biographical Film "My Heart and My Way" - Dancer 2018 Taipei Art Village, Resident Danish Artists Simone Wierød & Tim Panduro - Experimental Dance Video Installation and Live Performance "Interweaving" - Dancers 2017 Rhapsody Theater "After Dark" - Co-creation (Script Collaboration / Action Director / Actor) 2015 Central Saint Martins, University of the Arts London - Graduation Performance - "Karma-1 Industry" - Choreography / Dancer / Lighting / Projection / Sound Design Program content "No Name" (hereinafter referred to as this project), based on the historical and cultural background of the entire Huajiang house, penetrates into its architectural space, re-understands and discovers with "body" and "lens", and creates a new space for this space. story. Different from using new technologies to reconstruct and beautify the appearance of the old Taipei community, this work focuses more on presenting the real appearance of the entire Huajiang residence in the current social environment after about half a century of generational change and demographic transformation. Whether it is a building space that has undergone multiple renovations and repairs with changing residential needs, or the different age and cultural background structures of the resident population, they will all be brought together to develop "performing bodies" and "creating characters". The unique angle is used in the image to present its original, real, and generally difficult to find beauty. "Anonymous" originated from the live performance work "The Passing" in 2020. In response to the changes in the social environment in the past two years, the live performance has faced relatively more restrictions, and turned to "video short film" as the starting point of the creative form. It is expected to complete a video clip of about 20-25 minutes first, and then rethink and experiment with different presentation forms along with the creative development process. Back Latest latest news Artists About Us More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

計畫內容 「《聲縮．身所》＿聲音與身體之創作研究計畫」，將創作者帶至現地「萬華」，思考以聲音如壓縮檔的形式儲存於身體之中的想像，連結我們對於環境聲音的流動與捕捉，回想成長脈絡之經歷，拼湊身體歷史的記憶片段。此創作執行計畫分為以下四個階段：・感/聲音採集：透過自身背景對自我與環境的敏銳度，重新剖析感官的刺激與閱讀。在資訊爆炸的世代，使得流動變得快速，地域物換心移，但總有一些氣息還停留在轉角處。我想透過我的行走，用身體去發現那些氣息，並且將之紀錄。透過區域環境的好奇，藉由採集來找尋那不平凡有如脈搏般的聲響。 ・思/身體壓縮檔：身體的脈搏如果不是在安靜的氛圍或觸摸是感受不到的，但卻是非常重要的存在。我發現環境中的聲響有如脈搏，他是在地性的脈搏，所以每個區域都有屬於自己脈動。我遇見台北萬華，像是看見家鄉＿高雄鹽埕，都是累積深厚文化底蘊的地帶。我本身喜歡遊晃巷弄中，雖然時間沖刷但也沈澱重量，人群與物件仍然安放，少了點繽紛奪目，但多了陰翳值得慢慢品味。於是透過身體力行，捕捉聲響成為鑰匙，開啟身體歷史的記憶抽屜。 ・建/語彙符碼：舞蹈在表演藝術中沒有文本，但卻可以從表演者的動作語彙中被閱讀。動作除了身體經驗所積累的反饋，也因思考而組織建構。於是，前面兩階段是成就新體驗與歷史經歷媒合，而經過多元面向的思考的切入，刺激對人事物的不同觀點。並且加入一位對表演有興趣的長者，透過彼此背景的了解以及對聲音記憶，這造就了對身體語彙的產出與表達，然而這是創作與表演路途上關鍵的轉化過程。 ・整/我知：從理念的產生到計畫採集，然後結構、創作至完整，是個作品的成長脈絡。從觀看與被觀看縮短彼此的距離，在作品提供的線索中，找到共鳴。雖然不變的是以舞蹈來呈現，但過程的路徑以不同的行時來行走，期待創作期間的發現與可能，從《我知道沒有什麼是我知道的》到《聲縮・身所》。 Back Latest latest news Artists About Us 林憶圻 1990 年生，高雄人。 國立臺北藝術大學舞蹈研究所表演主修畢業。 目前為古名伸舞團即興表演者與舞蹈自由工作者，內容涵蓋創作、表演、教學與跨領域合作。曾與多位編舞家合作，並多次參與國內外藝術節演出。首次於 2018 年發表作品《等距》，並獲世安文教基金會＿世安美學獎。2019 年於艋舺舞蹈節發表獨舞作品《我知道沒有什麼是我知道的》，同年獲國家文化藝術基金會個人創作補助，於 2020 年創作作品《如果不能再見》。2021 年古舞團製作「三種追尋」發表作品《微亮》。 More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

Artists over the years Emiko Agatsuma Presentations and workshops 2021 _cc781905-5cde-3194-cf5d8_bb3b-136 Virginia Torres 西班牙 Spain Marie Hahne 德國 Germany Matyas Toth 匈牙利 Hungary James Batchelor 澳洲 Australia Parini Secondo Sissj Bassani Martina Piazzi 義大利 Italy Anne-Mareike Hess 盧森堡 Luxembourg 2023 呂尚霖 臺灣 Taiwan Sofia Albanese 德國 Germany Sabine Zahn 德國 Germany 王怡湘 臺灣 Taiwan 吳建緯 臺灣 Taiwan 2020 _cc781905-5cde-3194-cf5d_bb3b-136 2021 Ian Gualdani 義大利 Italy 嚴婕瑄 臺灣 Taiwan 林憶圻 臺灣 Taiwan 黃子溢 臺灣 Taiwan 許程崴 臺灣 Taiwan 黃至嘉 臺灣 Taiwan 2020 我妻惠美子 日本 Japan Latest latest news Home 首頁 Artists About Us More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

計畫理念 本計畫以音樂與文學作品引領的表演藝術創作為主軸，探索街景與時間的對話。 曉劇場鄰近華江整宅，上乘艋舺，下接雙園，整個區域相較於台北市東側的發展顯得停滯，彷彿凍結了時光，而在這樣的街景之中，人物依舊是隨著時間在改變，交融之下呈現出難以言喻的獨特氛圍。 但「停留」是一個相對性的概念，沒有移動的事物無法顯示靜止，只會呈現一個存在。 音樂是在時間上進行的一種創作，即便樂音停留，時間依舊在前進，概念上與劇場鄰近之氛圍相當契合。 時間在前進，生物會衰老，建物會折舊，即便街景輪廓依舊，但實際上沒有事物有暫停。希望能夠透過實地走進社區，將街景的聲音採樣作為音源，製作延音較長的聲響素材為出發來進行創作，表現出停留與沒有停留的樣貌，並以此為基礎，找尋相關的文學作品以及適合的肢體演出形式。 Back Latest latest news Artists About Us 呂尚霖 1.學經歷 學術背景 國立師範大學 流行音樂產學應用碩士在職專班 碩士 2017年8月-2020年6月 Musicians Institute (U.S.）表演藝術（吉他）副學士 2012年9月一2014年3月 國立政治大學 哲學系學士2008年9月-2012年6月 音樂製作 2018 号薔《蝸牛》單曲 專案製作助理 2018 李千那《查某囡仔》專輯 專案製作助理 音樂教學 Julia Music 數位音樂、吉他、烏克麗麗教師 (2014至今) 華硋國際實驗教育機横鳥克麗麗、數位音樂教師 (2019至今） 台北市文山社區大學 烏克麗麗教師 (2021至今) 音樂活動策展團體 _2016 加蚋子Tone 主辦人 -2017 鄭州路xTone 主辦人 2.近期成果 2021 發行個人專輯《都會笑話輯》 與Transparent Cyber Astronomv於 國立台北藝術大學 妖言文學祭 演出 與Transparent Cyber Astronomy於 海或瘋市集 演出 與Transparent Cyber Astronomy於 公館河岸留言 演出 More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

Latest latest news Artists About Us Xiao Theater Art Village 藝術進駐計劃 曉劇場藝術進駐計劃於 2020 年正式啟動，透過提供 住 宿以及創作空間吸引國內外不同領域的藝術工作者 進駐。 並在進駐期間安排藝術家與在地居民及其他藝文工作者 接 觸的機會，透過交流機會讓藝術家有機會接觸更多元 的觀 點 及 視角。 關於曉劇場藝術進駐計劃 曉劇場藝術進駐計劃是臺灣少數以表演藝術團體為經營核心的藝術進駐，團隊邀請國內外不同領域的藝術家進駐市定古蹟萬座曉劇場（前身為台糖倉庫）。 在富有歷史記憶的建築之中，創造出讓藝術家、環境以及民眾可以對話以及互動的場域。 曉劇場藝術進駐計劃介紹 曉劇場長期蹲點萬華進行創作，透過深度的田野調查飽滿作品的內在能量。自 2019 年舉辦艋舺國際舞蹈節，吸引數十位創作者將各自獨特的舞蹈作品在萬華地區各地展演，為在地帶來豐沛的藝文量能。 團隊希冀透過成立藝術村提供更開放及自由的空間，讓藝術家能與居民進行更多元的對話，創造出無限可能。 More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

再高的山都無法遮蔽旭日的光芒。Shinehouse Theatre 曉劇場 努力對社會及劇場生態環境注入一股明亮力量，並為所有劇場觀眾帶來面對生命的熱忱與希望。 Latest Latest works Touring Plan Recent Works Drama｜Dance ｜ Shinehouse Theatre Latest Latest works Introducing the Creatives Team Recent Works Contact Contact information

曉劇場2006年成立於臺北，作品方向包括文學改編、社會議題的關懷與創作，以及城市系列，從劇場詮釋經典文學之美，從議題關懷我們共同生活的群體，從創作記錄城市的改變，希望透過每一個作品反映當代社會，更加瞭解生活的土地，也記錄我們存在的當下環境。曉劇場作品也積極向外推廣，曾參與上海、曼谷、日本等各地藝術節，2019年更前往英國愛丁堡藝穗節。曉劇場期望我們的作品能讓不同語言及文化背景的觀眾，都能為同樣的生命演繹所共鳴，藉由戲劇的力量帶給更多人真實的感動。 ENG sunlight, no difference Xiao Theater was established in 2006, and now operates "Tangshu Xiao Theater" in Wanhua Tangshu Cultural Park. Creations include "Swallow", "She Got John's Kiss and Became Hu Lide's Woman - A Prostitute's Room", "The Dirty Earth Trilogy", "Scorched Earth" and other "social issues"-oriented works: adaptations of Zhang Manjuan, Huang Literary adaptation series by Chun Ming, Mishima Yukio, Miyabe Miyuki and other literary masters; and ghost story series of "Slightly Cool Night in Summer" At the same time, based on Wanhua's locality, a community drama class was set up and a series of works "Otter Project" were published, and a drama course for the physically and mentally handicapped was conducted with the Nanhai Development Center with the goal of inclusive theater. She has participated in the Shanghai International Contemporary Theatre Festival, the Bangkok International Theatre Arts Festival, the Tokyo Arts Festival in Japan, the Taipei Arts Festival, the Asian Performing Arts Festival, the Tokyo Arts Festival and the East Asian People's Theatre Arts Festival in South Korea.

武山中尉與麗子享受著新婚的快樂，一場叛變讓武山在飄雪的清晨飛奔而出，而麗子懷抱著追隨丈夫於地下的覺悟整理隨身物品；她等待三天，當中尉回來後，她張羅丈夫日常、與之交歡，看著他切腹自盡；而後麗子莊嚴平靜的一人走上成就之道。 “Yukoku”, the theater play, was adapted from the novel story of the same name written by one of the most important Japanese literature writers, Mishima Yukio. "Worrying the Country" 2018｜Taiwan Opera Center Small Performance Hall Yukoku The scenes of sex and death described in "Worrying about the Country", the complete fusion and multiplication of eroticism and righteousness, can be called the only happiness I have been looking forward to in this life. --- Mishima Yukio "Yukoku", the theater play, was adapted from the novel story of the same name written by one of the most important Japanese literature writers, Mishima Yukio. As Reiko and Takeyama enjoy their time after their recent wedding, a mutiny forces Takeyama to rush out in the snowing morning, with Reiko cleaning the house under the consciousness to follow her husband into the afterlife. She waits three days, and as Takeyama finally returns, she takes care of him, sex with him, watches him commits seppuku, and finally , goes on her own journey toward final completion. Lieutenant Wushan and Lizi were enjoying the joy of their wedding. A betrayal made Wushan run away in the snowy morning, while Lizi packed her belongings with the consciousness of following her husband underground; she waited for three days, and after the lieutenant returned, she made Her husband had sex with him on a daily basis, and watched him commit suicide by cutting his belly; then Reiko, solemnly and peacefully, embarked on the path of achievement. Xiao Theater cuts into the classic works of Japanese literature master Yukio Mishima from a female perspective, and looks back on the awakening before the two of them went to death together through Reiko's eyes; sees Yukio Mishima's ultimate writing on lust and death, and analyzes his madness, beauty, and momentary dedication. , and through Lizi's calm attitude to death, to show the ultimate aesthetics for personal spiritual beliefs. Lai Wanling Performing Arts Platform If it is said that Yukio Mishima's short story "Worrying about the Country" uses words to bring the flowing lust and fearlessness to death on the paper, then the stage play "Worrying for the Country" interpreted by Akatsuki Theater is to express the "flowing lust" and the fearlessness of death. "The Fearlessness of Death" is the embodiment of the combination of the two.