Home About Wan Program Visit Venue Our Team History International Development ❝ 劇場 即生活 生活在劇場 ❞ Led by Artistic Director Chung,Po-Yuan the Shinehouse Theatre at Wan Theater has adopted the three major directions of "innovation, integration (inclusive) and sustainability" to organize its own performances, professional curation, and open up the use of performing arts teams for rent, cultivate local audiences from Wanhua, and cooperate with schools and social organizations to promote performing arts. With the resources of Shinehouse Theatre Creation, theatre space, Want to Dance Festival, and Shinehouse Theatre Art-in-Residence Program, we are able to enrich the diversified performing arts ecology by connecting. More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Wan Theatre

Home About Wan Program Visit Venue Our Team History International Development Members 成員介紹 陳家誼 Member, marketing executive and actress of Shinehouse Theatre. She graduated from National Taiwan University of Arts, majored in drama, and devoted into theatre performance afterward. Her past performances include: “The Woman and The Butcher” (M.O.I Production), San-Chin development project for actors (Yang’s Ensemble), “The 366th Night” (Biu Theatre), and “Yerma” (TIFA, Theodoros Terzopoulos). She joined Shinehouse Theatre in 2017, and performed in “Adolf”, “Madame de Sade”,” The Whisper of the Waves”, Miyabe Miyuki’s “In Between”, and many others. Back More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Wan Theatre

Back More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com Latest latest news Artists About Us Virginia Torres Virginia Torres是一位西班牙格拉納達的舞蹈表演者，擅長於肢體動作的探索與研究。20歲前主要學習佛朗明哥和西班牙舞蹈，近幾年，她大膽地跳入了即興舞蹈與日本舞踏的領域，將身體作為媒介，挖掘更多未被理解的動作與情感表達，解構自身的舞蹈肢體與經驗，不讓文化背景及傳統的肢體成為舞蹈的限制。 他認為自己是一個身心靈的研究者，受到靈感的驅使，曾遠赴印度追求東方傳統靈性與智慧。目前，她認為她的舞蹈和她對身體的理解更接近東方智慧，而非西方理性的思維模式。 作為一名舞踏舞者，她創作了不同的獨舞作品，並參與了集體項目，曾在各種不同的場所表演，從印度偏遠的小村莊到德國的大劇院都有她的身影。

Home About Wan Program Visit Venue Our Team History International Development 《電子城市》 萬座曉劇場開幕演出 2022.05.27 - 2022. 05.29 Electronic City 德國當代劇作家 福克．李希特 新文本代表作 曉劇場藝術總監 鍾伯淵主演 2020年受邀韓國東亞劇場藝術節 2021年受邀首爾國際環境藝術節 舞踏我劇場/AGAXART 我妻惠美子 參演 潮來巫女召喚亡者，藉她之口囁嚅亡者之音， 相互詛咒彼此早死的伴侶、和盆栽為友的男人...。 潮湧來去，漂浮的他們極力為自己生命定錨，在極樂和地獄間徘徊 2018年伯淵導演藉國藝會「海外藝遊計畫」前往日本三大靈場之一的恐山，那裡仿若北投地熱谷的火山地形、堆疊一座座石頭塔祭弔亡魂，不停轉動的風車隨風旋去念想；日本八戶市當地的潮來巫女（Itako），必由眼盲的女子擔任，她以口傳遞著生死兩界的訊息，與台灣的觀落陰相似，令猝不及防地生命消逝時，生者得以傳遞思念。 潮來之音是海潮陣陣逼近的聲響，是徘徊在生死間的低聲喃喃，也是滌淨的潮垢離。 演出時間 07.15（五）19:30 07.16（六）14:30、19:30 07.17（日）14:30 導演/劇本創作：鍾伯淵 肢體設計暨演出者：我妻惠美子（Emiko Agatsuma） 演出者：曾珮、廖治強、鄭詠元、陳家誼、李廷羿、謝承瑜 製作人：葉育伶︱技術總監/舞台設計暨執行：李孟融︱音樂設計：陳明儀︱服裝設計：李逸塵︱燈光設計暨執行：柯雅云︱音樂音效執行：張婉庭︱執行製作/字幕執行：李雅涵 更多資訊→ More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Wan Theatre

「穢土天堂系列」描寫地上與地下世界強勢族群對於弱勢族群的文化侵略。透過一個現代進步的地上世界，對比原始落後的地下世界，從家園迫遷、文化侵略議題，延伸討論戰爭中的善惡。 The production series of「Armageddon」is the strong, representative work of Shinehouse Theatre, which depicts the cultural aggression against a disadvantaged underground world by a strongly ethnic aboveground one. Dirty Paradise Armageddon 2011｜fruit wine warehouse in Huashan Cultural and Creative Park ☆Nominated for Taipei Digital Technology Art Award This trilogy is based on the idea of the German Hitler regime and Nazi concentration camps during the Second World War; the play describes the underground society that heard that the underground contains a lot of natural resources and began to develop the underground, and discovered the underground that had sneaked into the ground after being defeated a long time ago. The human race carried out massacres in order to successfully obtain underground resources; and through three demonstrations of using underground women to teach social etiquette, culture and language as propaganda, to eliminate and cover up the massacre of the underground society by the government and to create an illusion of harmony. The prototypes of the three underground women in "Paradise of Dirty Earth" come from the three sisters of Chekov, who are entangled with yearning and memories of their hometown. The whole play is centered on changes such as slow massacres. The underground women face the cultural edification and display of the above-ground society, which weakens the uniqueness of the underground women's original society and the public's attention, and eventually leads the society to lose interest and die. The three underground women were sent back underground again. As the last survivors of the underground society, facing the already dilapidated underground world, they could only hum a song and disappear into the ruins. The production series of "Armageddon" is the strong, representative work of Shinehouse Theatre director, Po-Yuan Chung, which depicts the cultural aggression against a disadvantaged underground world by a strongly ethnic aboveground world. Through a modern and progressive world aboveground, contrasting with a primitive and underdeveloped world underground, being forced from their homes, and the issue of cultural invasion, extending to the discussion of good and evil in war. “Armageddon”, the first piece of the trilogy, three bareheaded Underground Woman open the show. The piece describes how the normal people discovered the underground world; how they invaded, massacred, plundered the ground; and how they used these three women to erase opposing public opinion through media. There was, however, limited resource only in the underground, and the invasion was highly criticized by the society, which eventually made the three women be sent back to the already destroyed underground. Yu Shanlu drama critic Choreographer Zhong Boyuan de-time-spaces the entire story and characters, but he seems to be able to feel the shadows of the Nazis, massacres and concentration camps, and even the more general relationship between oppression and oppression, civilization and destruction. Or today, there is no shortage of examples. underground woman 曉劇場_穢土天堂三部曲《阿道夫》(3mins) Play Video All Videos

Team Members 成員介紹 葉育伶 Nina YEH Executive Director 曉劇場行政總監 Member of Shinehouse Theatre. Bachelor of Journalism, National Chengchi University. Yeh has been the administration officer for Shinehouse Theatre since 2009, involving its recent productions as well as arts promotion in the community. Her recent participations include Shinehouse Theatre’s “Yugoku”” , “LA Marie Vision”, ”The Whisper of the Waves, Miyabe Miyuki’s “In Between” and the producer of Want to Dance Festival. Back

Home Program Visit Venue Our Team About Wan History International Development Shinehouse Theatre Arts Village Shinehouse Theatre has stayed in Wanhua for more than ten years. We saturate the inner energy of the works through in-depth field research. Since the Want to Dance Festival was held in 2019, dozens of creators have been invited to present their unique dance works in various parts of the Wanhua area, bringing abundant artistic and cultural energy to the region. Through the Shinehouse Theatre Arts Village, we hope to provide a more open space for artists to engage in a more diverse dialogue with residents, creating endless possibilities. The Shinehouse Theatre Arts Village was officially established in 2020. Through the provision of accommodation and creative space, we attract artists from different fields and different country. During the residency period, we will arrange opportunities for artists to meet with local people, so that they can have access to more diverse perspectives and viewpoints. The Want to Dance Festival Want to Dance Festival The Want to Dance Festival is hosted by Shinehouse Theatre since 2018. It is a dance platform for spontaneous exchanges and interactions. Wan Theater artistic director, Po-Yuan Chung, and National Kaohsiung Center for the Arts (Weiwuying) drama consultant, Yi- Wei Keng as the curator, provide independent choreographers with a stage for creation and performance and cordially invite curators, as well as local venue art festival organizers to participate in this grand event. Several atypical theater spaces in Wanhua will be used as stages for the festival. The first area to be developed in Taipei City was Monga, where a dance marathon full of vigor and experimentation and adventure will be launched. More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Wan Theatre

Home About Wan Program Visit Venue Our Team History International Development TEAM MEMBERS 成員介紹 葉育伶 Nina YEH Executive Director 曉劇場行政總監 Member of Shinehouse Theatre. Bachelor of Journalism, National Chengchi University. Yeh has been the administration officer for Shinehouse Theatre since 2009, involving its recent productions as well as arts promotion in the community. Her recent participations include Shinehouse Theatre’s “Yugoku”” , “LA Marie Vision”, ”The Whisper of the Waves, Miyabe Miyuki’s “In Between” and the producer of Want to Dance Festival. Back More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Wan Theatre

以日本原爆發生後為背景，描述一個不知名的村莊，四處滿是焦土，乾渴的村民們不斷向天祈雨，期待著雨會落下。在漫長等待降雨的過程中，藉由角色間關係的拉扯與壓制，緩緩揭開潛藏深處的人性黑暗面。《焦土》不只是以71年前的廣島長崎原爆作為背景，更是從身在臺灣生長於和平世代下，對於自身處境的反思。 "Purgator" is based on the atomic bombing of World War II in Japan, extending to the contemporary international community's unease about terrorism and war. "Scorched Earth" 2016｜Tokyo Art Theater, B Warehouse of Taipei Tangshu Cultural Park Purgatory "Scorched Earth" is a Taiwan-Japan transnational creative project. In 2015, Xiao Theater was invited to participate in the Asian Performing Arts Festival. Director Zhong Boyuan came up with the idea of "a hail of bullets", with the atomic bombing in Japan during World War II as the background, with "scorched earth" as the theme, and the In 2016, he was invited by the Asian Performing Arts Festival again to develop last year's concept creation into a complete work. Set in the background after the atomic bombing in Japan, it describes an unknown village full of scorched earth, and the thirsty villagers keep praying to the sky for rain, expecting the rain to fall. In the process of waiting for the rain for a long time, through the pulling and suppression of the relationship between the characters, the dark side of human nature that is hidden in the depths is slowly revealed. "Scorched Earth" is not only based on the atomic bombing of Hiroshima and Nagasaki 71 years ago, but also a reflection on one's own situation from growing up in Taiwan in a peaceful era. 「Purgatory」is the transnational creative project between Taiwan and Japan, supported by the Tokyo Metropolitan Government and the Taipei City Cultural Affairs Bureau, and premiered in 2016 at the Tokyo Metropolitan Festival 2016. The story is based on the atomic bombing of World War II in Japan, extending to the international contemporary community's unease about terrorism and war. Director Po Yuan Chung , adapts the concept of karma from Buddhist Zen, and combines it with the Japanese folk story "Monkey Crab Combat" to discuss the relationship between perpetrator and victim .Looking at the relationship of contemporary international political and social issues via the history of war. Yu Shanlu drama critic If there are other troupes dealing with such a theme, it is usually the translation or adaptation of foreign scripts. Xiao Theater is led by Zhong Boyuan, the core director of the troupe, who insists on caring all the way... Created with the theme of "scorched earth", thinking from it The far-reaching impact of war on people, from the damage, deformation and alienation of the outer body to the inner heart, brings a little extravagant desire for peace. Under its artistic transformation approach, it usually attaches an allegorical narrative to make the content more universal; it also includes reflections on contemporary social issues in Taiwan, and proposes an interpretation and interpretation of local reading. Rumination.

計畫理念 The Lost Civilization is the revelation of a civilization that dwells in the ocean depths of the world of Clorofilla. With the same interactive approach of Clorofilla, this project aim to explore new linguistic possibilities and to portray the multidimensional nature by which human beings perceive and experience the environment. The Lost Civilization aims to address the unsolved social conflicts of our age providing narrative and mystical visual solutions to them. The studio would be used all the 10 days each month to produce the music of the performance and record the tracks. After one week from the start of residency would be provided the plan (discussed together) of the work and goals to achieve, together with the plan of the workshops. Workshop proposal: Audiovisual tool for interactive performance (overview of different software for audiovisual performance and live demonstration). Body Mapping and Optical tracking modules: playing sounds and interact with the virtual world through leap motion Exploration of the virtual world of Clorofilla: how to build a metaverse through real time graphic engine and audiovisual interaction 5) In the ShineHouse Residence I expect to focus on the new project and get in touch with the local artistic scene, in order to merge the new experiences into the project of Niagara. I expect to release the new journey of Clorofilla in a final performance to show to the audience at the end of the residency. The Camp week workshop would allow collaboration with other artists that is one of my main points of interest in the residency' program. Back Latest latest news Artists About Us Sofia Albanese 是一位居住在柏林的作曲家和製作人。她在古典和爵士音樂方面的豐富經驗與她在音樂學院的學習相結合，融入了不同的電子項目以及電影和紀錄片的音樂。在過去的幾年裡，她專注於多媒體創作數位工具深化軟體，如 Ableton、Max MSP 和 Unreal Engine。如今，她的藝術研究主要集中在視聽藝術世界，以揭示跨媒體藝術的令人印象深刻的力量。 More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Contact Us Address: No. 132-9, Dali Street, Wanhua District, Taipei City 10801 Tel: +886-2-2308-3398 E-mail: shinehousetheatre02@gmail.com

2018年伯淵導演藉國藝會「海外藝遊計畫」前往日本三大靈場之一的恐山，那裡仿若北投地熱谷的火山地形、堆疊一座座石頭塔祭弔亡魂，不停轉動的風車隨風旋去念想；日本八戶市當地的潮來巫女（Itako），必由眼盲的女子擔任，她以口傳遞著生死兩界的訊息，與台灣的觀落陰相似，令猝不及防地生命消逝時，生者得以傳遞思念。《潮來之音》是海潮陣陣逼近的聲響，是徘徊在生死間的低聲喃喃，也是滌淨的潮垢離。 "The Sound of the Tide" The Whisper of the Wave 2020｜Humei Theater, Huashan Huashan 1914 Cultural and Creative Industry Park The sorceress of the tide summons the dead, Through her mouth to murmur the voice of the dead, Cursing each other 's prematurely dead partners, cat lover, A man who is friends with potted plants... the tide comes and goes, Floating they try to anchor their lives, Wandering between bliss and hell In 2018, Director Bo Yuan borrowed the National Art Association's "Overseas Art Tour Program" to go to Mount Osore, one of the three major spiritual sites in Japan, where it resembles the volcanic terrain of Beitou's geothermal valley, where stone towers are stacked to hang the dead, and the spinning keeps turning. The windmill swirls with the wind to think; the local Itako in Hachinohe City, Japan, must be a blind woman. She conveys the message of life and death through her mouth. When life dies, the living can pass on their thoughts. The sound of the coming tide is the sound of the approaching tides, It is a whispered whisper wandering between life and death, and it is also a cleansing tide. Script writing/director︱ Zhong Boyuan's script translation︱ Body Design/Performance by Aoi Tsumura︱ my wife Emiko (Emiko Agatsuma) Performances︱Zeng Pei, Liao Zhiqiang, Zheng Yongyuan Li Tingyi, Chen Jiayi, Tu Jiayuan Producer︱Yeling Ye Stage Supervisor︱Chen Qiling Music Design︱Chen Mingyi Lighting Design︱Dai Cairu Costume Design︱Li Yichen Audio Technology︱Wu Anglin Graphic Design︱Liu Yulu Graphic Photography

Home About Wan Program Visit Venue Our Team History International Development 《習慣樂戒所》 國立臺灣師範大學 表演藝術112級 X 表演藝術研究所 史宥玲聯合畢業製作 2022.12.02 - 2022.12.04 這是一間能幫助人們戒掉習慣的勒戒所， 不論是好的壞的各種習慣， 都能在這裡輕鬆、快樂、無負擔的被改變。 2020年受邀韓國東亞劇場藝術節 2021年受邀首爾國際環境藝術節 舞踏我劇場/AGAXART 我妻惠美子 參演 潮來巫女召喚亡者，藉她之口囁嚅亡者之音， 相互詛咒彼此早死的伴侶、和盆栽為友的男人...。 潮湧來去，漂浮的他們極力為自己生命定錨，在極樂和地獄間徘徊 2018年伯淵導演藉國藝會「海外藝遊計畫」前往日本三大靈場之一的恐山，那裡仿若北投地熱谷的火山地形、堆疊一座座石頭塔祭弔亡魂，不停轉動的風車隨風旋去念想；日本八戶市當地的潮來巫女（Itako），必由眼盲的女子擔任，她以口傳遞著生死兩界的訊息，與台灣的觀落陰相似，令猝不及防地生命消逝時，生者得以傳遞思念。 潮來之音是海潮陣陣逼近的聲響，是徘徊在生死間的低聲喃喃，也是滌淨的潮垢離。 演出時間 07.15（五）19:30 07.16（六）14:30、19:30 07.17（日）14:30 導演/劇本創作：鍾伯淵 肢體設計暨演出者：我妻惠美子（Emiko Agatsuma） 演出者：曾珮、廖治強、鄭詠元、陳家誼、李廷羿、謝承瑜 製作人：葉育伶︱技術總監/舞台設計暨執行：李孟融︱音樂設計：陳明儀︱服裝設計：李逸塵︱燈光設計暨執行：柯雅云︱音樂音效執行：張婉庭︱執行製作/字幕執行：李雅涵 更多資訊→ More About Us Shinehouse Theatre Want To Dance Festival The Shinehouse Theatre Arts Village Wan Theatre